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Items where Division is "Wimbledon College of Arts"

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Number of items at this level: 1059.

A

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Allen, Richard and Khandekar, Prachi (2023) Circuits of Sand and Water (Dramaturg). [Performance]

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Allen, Richard (2023) Kerala International Festival of Theatre Schools (IFTS) 2023. Theatre and Performance Design, 9 (1). pp. 112-119. ISSN 2332-2551

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Allen, Richard (2023) Headphone Theatre: A Technology-led approach to Performance Pedagogy. In: ExEd 2023, 3-4 July 2023, UAL London, Online.

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Abdulla, Danah (2021) Keep Your Distance, Wear a Mask and Stay Safe: The Visual Language of Covid-19 Print-Based Signage. Visual Resources, 36 (3). pp. 1-29. ISSN 0197-3762

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Allen, Richard (2021) Shock Corridor. [Show/Exhibition]

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Abdulla, Danah (2021) Disciplinary Disobedience: a border-thinking approach to design. In: Design Struggles: Intersecting Histories, Pedagogies, and Perspectives. Plural . Valiz, Amsterdam, pp. 227-241. ISBN 978-94-92095-88-6 Item availability restricted.

Abdulla, Danah (2021) Against Performative Positivity. Item not available online.

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Abdulla, Danah (2020) Imagining Otherwise. In: Decolonizing: The Curriculum, the Museum, and the Mind. Vilnius Academy of Arts Press, Vilnius, pp. 84-97. ISBN 9786094473432

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Allen, Richard (2020) The Magician's Apparatus. In: The Collector's Room. JGM Gallery, London, pp. 12-15. ISBN 978-1-9160585-5-2

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Allen, Richard (2019) Phantom stages: floor plans as affect machines. Theatre and Performance Design, 5 (3-4). pp. 267-273. ISSN 2332-2551

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Abdulla, Danah (2019) Radicalise Me. In: Modes of Criticism 4 – Radical Pedagogy. Onomatopee, pp. 25-32. ISBN 978-9493148130

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Armstrong, Esther and Straker, Dick (2019) Nomadic Hamlet 2.0: Testing place and video space for audiences. In: Experimental Architectures: Designing the Unknown. Routledge, London. ISBN 978-1138575257

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Andrade, Almiro (2019) Translation and adaptation of contemporary northeastern Brazilian drama through devising for performance: a case study of Aldri Anunciação's 'Namíbia, Não!'. PhD thesis, King's College London.

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Allen, Richard (2019) Rock Ballad. [Show/Exhibition]

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Asbury, Michael (2019) Anna Maria Maiolino: Articulations and Translations of and in Anthropophagy. In: Anna Maria Maiolino: O Amor se Faz Revolucionario. PAC and Silvana Editoriale, Milan, pp. 87-91. Item availability restricted.

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Abdulla, Danah and Ansari, Ahmed and Canlı, Ece and Keshavarz, Mahmoud and Kiem, Matthew and Oliveira, Pedro and Prado de O. Martins, Luiza and Schultz, Tristan (2019) A Manifesto for Decolonising Design. Journal of Futures Studies, 23 (3). pp. 129-132. ISSN 1027-6084

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Abdulla, Danah (2019) A Platform for Third World Solidarity: The Popular Front for the Liberation of Palestine Bulletin. The Funambulist, 5 (22). pp. 34-39. Item availability restricted.

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Allen, Richard (2018) Illusiontext. Performance Research, 23 (4-5). pp. 456-457. ISSN 1352 8165

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Asbury, Michael (2018) Alfredo Volpi: at the crossroads of modernity. In: Alfredo Volpi - Frieze Masters Spotlight exhibition catalogue. AD Gallery, London, pp. 9-17.

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Armstrong, Esther (2018) A Holding Field: Seamus Heaney and Translation. In: A Holding Field: Seamus Heaney and Translation, 27 September 2018, National Library Ireland, Dublin.

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Abdulla, Danah (2018) Sleep Faster We Need the Pillows. In: Design as Learning A School of Schools Reader. Valiz, Amsterdam, pp. 172-179. ISBN 9789492095602

Asbury, Michael (2018) Cruz Credo: anachronism and antagonism in the art of Antonio Dias. Paulo Darze Gallery, Salvador, Bahia, Brazil. Item not available online.

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Asbury, Michael (2018) The Art of Diplomacy: Brazilian Modernism Painted for War. The Embassy of Brazil in London, London, pp. 35-41. ISBN 978-5272-1858-1

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Asbury, Michael (2017) Rodrigo Andrade: um olhar em retrospecto [Rodrigo Andrade: a retrospective view]. In: Rodrigo Andrade: pintura e materia (1983-2014). Pinacoteca do Estado de Sao Paulo, Sao Paulo, pp. 25-35. ISBN 978-85-8256-094-5

Abdulla, Danah and Ansari, Ahmed and Canlı, Ece and Keshavarz, Mahmoud and Kiem, Matthew and Vieira de Oliveira, Pedro and Prado de O. Martins, Luiza and Schultz, Tristan (2017) Design Activism: A Conversation by The Decolonising Design Group. In: Modes of Criticism 3 – Design and Democracy. Onomatopee, pp. 55-65. ISBN 978-9491677779 Item not available online.

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Asbury, Michael (2017) Historiografias do Contemporâneo. Revista Modos, 1 (2).

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Algar, Lucy (2017) Centre for Drawing Residency 2017. [Performance]

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Algar, Lucy (2017) The Line. [Performance]

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Asbury, Michael (2017) Historiographies of the Contemporary: Modes of Translating in and from Conceptual Art. In: New Worlds: Frontiers, Inclusion, Utopias. Comitê Brasileiro de História da Arte (CBHA); Comité International de l’Histoire de l’Art and Vasto, Sao Paulo, pp. 188-201. ISBN ISBN: 978-85-93921-00-1

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Allen, Richard (2016) Theatrical Latency: Walking Katrina Palmer’s The Loss Adjusters. Theatre and Performance Design, 2 (3-4). pp. 266-278. ISSN 2332-2551

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Algar, Lucy (2016) The Seasons. [Performance]

Armstrong, Esther (2016) Scenographies and Space: Reading the Gendered Tyranny of the “Blue Ball”. In: Star Ark: A Living, Self-Sustaining Spaceship. Springer International Publishing. Item not available online.

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Armstrong, Esther (2016) Blue Ball Tyranny. In: Handbook of the Unknowable. TEKS, Trondheim. ISBN 978-82-998211-5-5

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Allen, Richard and May, Shaun (2015) Encountering Anthropomorphism. Performance Research: A Journal of the Performing Arts, 20 (2). pp. 1-3. ISSN 1352 8165

Armstrong, Esther (2015) Noli Timere: Reflections on the life and work of Seamus Heaney. In: Noli Timere: Reflections on the life and work of Seamus Heaney, September 2013 - March 2015, The Royal Academy of Dramatic Art - London, The National Library of Ireland - Dublin, Oxford Literary Festival, Savannah State University - Georgia, University of California - Berkeley, University of Gothenburg - Sweden, University of the Sorbonne - Paris. Item not available online.

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Andersdotter, Sara (2015) Choking on the madeleine: encounters and alternative approaches to memory in a contemporary art practice. PhD thesis, University of the Arts London.

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Allen, Richard (2013) The Object Animates: Displacement and Humility in the Theatre of Philippe Quesne. Performance Research, 18 (3). pp. 119-125. ISSN 1469-9990

Al-Ani, Jananne and Withers, Rachel (2011) Interview with Jananne Al-Ani. RES (7). ISSN 978-605-5815-11-0 Item not available online.

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Alfier, Dino (2011) A Metaethical Study of Simone Weil’s Notion of Attention Through Critical Practical Analogy. PhD thesis, University of the Arts London.

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Al-Ani, Jananne and Withers, Rachel (2010) Making the Cut - Jananne Al-Ani.

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Armstrong, Esther (2010) A scenographic analysis of emergent British 'national' identity, on the stages of the National Theatre between 1995-2005. PhD thesis, University of the Arts London.

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Alexander, Gary (2007) Cornershop - it's a BARGAIN! TWO for the price of ONE! [Art/Design Item]

B

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Brambilla, Gabriella and Cleverly, Jason and Coupland, Geoff and Priest, Colin and Sukthana, Jar and Taylor, Rachel Emily and Maloney, Peter (2023) Talking Toys. [Show/Exhibition]

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Brambilla, Gabrielle and Coupland, Geoff and Taylor, Rachel Emily and Cleverly, Jason and Maloney, Peter and Priest, Colin and Sukthana, Jar (2023) Talking Toys. [Show/Exhibition]

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Belsco Rogers, Daniel and New, Sophia (2023) The Infinite Body. [Show/Exhibition]

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Beswick, Katie (2022) Staging Grenfell: The Ethics of Representing Housing Crises in London. Canadian Theatre Review, 191. pp. 72-76. ISSN 0315-0836

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Beswick, Katie (2022) Jockstrap. Loud and Quiet (154). ISSN 2049-9892

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Beswick, Katie (2022) Council Housing and Representation: Neoliberal Housing and Hip Hop as Love. In: WCCEH Symposium on the Built Environment and Health, 7 July 2022, Wellcome Centre for Cultures and Environments of Health, London.

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Beswick, Katie (2022) High Rise eState of Mind: Love and Honesty in the Midst of London's Neoliberal Housing Crisis. Comparative Drama, 56 (1-2). pp. 129-153. ISSN 1936-1637

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Beswick, Katie (2022) Kojey Radical: Dream Big. DIY Magazine.

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Beswick, Katie and Murray, Conrad (2022) Beats and Elements: A Hip Hop Theatre Trilogy. Methuen Drama, London. ISBN 9781350270596

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Beswick, Katie and Murray, Conrad (2022) Making Hip Hop Theatre: Beatbox and Elements. Methuen Drama, London. ISBN 9781350187917 Item availability restricted.

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Beswick, Katie (2022) London’s Burning: Social housing, performance and the politics of fire in an overheated market. In: Society for Theatre Research Lecture Series, 15 February 2022, Online.

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Beswick, Katie (2022) :3LON. Loud and Quiet, 151. ISSN 2049-9892

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Beswick, Katie and Johnson, Javon (2021) Sounds of The City: Dramaturgy, Space, Identity. Critical Stages, 24. ISSN 2409-7411

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Beswick, Katie (2021) Being Slaggy/Representing Slaggyness: Sex, Class and Embodiment in Britain. In: Working-Class Studies: An Interdisciplinary Conference. Irish Working-Class Studies, 8-12 November 2021, Dublin.

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Beswick, Katie (2021) They Hate Change: born in Tampa, raised on every UK sub-genre imaginable. Loud and Quiet. ISSN 2049-9892

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Beswick, Katie (2021) Rita, Sue and Bob Too. In: Rita, Sue and Bob Too. Modern Classics . Methuen Drama. ISBN 9781350184961

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Beswick, Katie (2021) Greentea Peng: unity in trip-hop. Loud and Quiet. ISSN 2049-9892

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Beswick, Katie (2021) Feeling good: the ecstatic return of Japanese Breakfast. Loud and Quiet, 146. ISSN 2049-9892

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Beswick, Katie (2021) Class, Race and Marginality: Informal Street Performances in the City. In: Oxford Handbook of Politics and Performance. Oxford University Press. ISBN 9780190863456

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Beswick, Katie (2021) Sex, Lies and Difficult Truth in Cash Carraway’s Skint Estate. In: Modern Languages Association Annual Conference, 7-10 January 2021, Online.

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Beswick, Katie (2021) Junglepussy: “We’re all just waiting on the world to change”. Loud and Quiet, 144. ISSN 2049-9892

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Beswick, Katie (2021) Feeling Working Class: Affective Class Identification and its Implications for Overcoming Inequality. Studies in Theatre and Performance, 40 (3). ISSN 1468-2761

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Beswick, Katie (2021) The Performative Violence of the Wedding Dress: Teaching Queer Theory through Object Orientation. Theatre Topics, 30 (2). ISSN 1086-3346

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Beswick, Katie (2020) Tkay Maidza: stay positive. Loud and Quiet, 147. ISSN 2049-9892

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Beswick, Katie (2020) Slaggy Mums: Class, Single Motherhood and Performing Endurance. Key Words: A Journal of Cultural Materialism, 18. pp. 94-113. ISSN 1369-9725

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Beswick, Katie (2020) Capitalist Realism: Glimmers, Working-Class Authenticity and Andrea Dunbar in the 21st Century. International Journal of Media and Cultural Politics, 16 (1). pp. 75-89. ISSN 1740-8296

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Beswick, Katie (2020) Here comes Dai Burger – a fabulous antidote to misery. Loud and Quiet, 140. ISSN 2049-9892

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Beswick, Katie (2020) Housing, Performance and Activism: Thinking with Performance in Times of Crisis. Studies in Theatre and Performance. Studies in Theatre and Performance, 40 (1). pp. 1-7. ISSN 1468-2761

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Beswick, Katie (2020) Jordan McKenzie: Three Works. In: Live Art in the UK: Contemporary Performances of Precarity. Methuen Drama. ISBN 9781474257732

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Beswick, Katie (2020) Wasted: Student Edition. Methuen Drama. ISBN 978-1-3500-9492-5

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Beswick, Katie (2019) JPEGMAFIA – The possibilities are infinite. Loud and Quiet, 138. ISSN 2049-9892

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Beswick, Katie (2019) Slags on Stage: The Toxic Working-Class Female in Contemporary Theatre and Performance. In: Cultures of Toxicity, 8 November 2019, University of Warwick.

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Beswick, Katie (2019) Crumb – Delicate indie-jazz from a band contemplating luck. Loud and Quiet, 134. ISSN 2049-9892

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Boggon, Anna (2019) She Persists, 20 Female Voices of Rebellion, Celebration & Resilience. [Show/Exhibition]

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Bolivar, Juan and Guerrini-Maraldi, Jennifer (2019) Earthworks. [Show/Exhibition]

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Beswick, Katie (2019) The horizontal charm of Otha, the Norwegian artist making club music for the introverted. Loud and Quiet, 131. ISSN 2049-9892

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Beswick, Katie (2019) Social Housing in Performance: The English Council Estate on and Off Stage. Methuen Drama Engage . Methuen Drama, London. ISBN 9781474285209

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Bolivar, Juan (2019) Love Bites (after van Doesburg, 1924). [Show/Exhibition]

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Beswick, Katie (2018) Sammus – A PhD student and rapper moves beyond her sad songs. Loud and Quiet, 129. ISSN 2049-9892

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Beswick, Katie (2018) Jackie Cohen – surprising music from LA’s most surprised musician. Loud and Quiet, 128. ISSN 2049-9892

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Beswick, Katie (2018) Tirzah: fresh parenthood, lifelong kinship and a new, old-fashioned romance record. Loud and Quiet, 126. ISSN 2049-9892

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Beswick, Katie (2018) Jenny Wilson still wants you to dance to her new album about her own rape. Loud and Quiet, 124. ISSN 2049-9892

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Beswick, Katie (2018) Playing to Type: Industry and Invisible Training in the National Youth Theatre’s ‘Playing Up 2’. Theatre, Dance and Performance Training, 9 (1). pp. 4-18. ISSN 1944-3919

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Beswick, Katie (2018) SHIRT is the “Duchampian” rapper recycling art history to make a new statement. Loud and Quiet, 123. ISSN 2049-9892

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Boggon, Anna (2018) The Bearers, The Hippy Market, Natural World/Monkey Business in V & A & A. [Show/Exhibition]

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Beswick, Katie (2017) From Colombia to Canada, everything Lido Pimienta does ends up being a political statement. Loud and Quiet, 91. ISSN 2049-9892

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Burton, Andrew and Stokes, Matt and Curran, Fiona and Fairnington, Mark (2017) Walking Looking and Telling Tales. [Art/Design Item]

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Beswick, Katie (2017) New York made Wiki – now he wants a street named after him. Loud and Quiet, 88. ISSN 2049-9892

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Beswick, Katie (2017) Eyedress – Laconic indie hip-hop from Manila, about Manila and for Manila. Loud and Quiet, 87. ISSN 2049-9892

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Beswick, Katie (2017) Is this love? Performance on the Streets of New York. In: Between Spaces, 29-30 June 2017, University of Chichester.

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Beswick, Katie (2017) LICE – the Bristol band capturing that end-of-uni, making-it-up-as-you-go-along feeling. Loud and Quiet, 86. ISSN 2049-9892

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Beswick, Katie (2017) In Iceland with Reykjavíkurdætur – the country’s first female hip-hop band who are feminists… because all groups should be. Loud and Quiet, 84. ISSN 2049-9892

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Beech, Dave (2017) Neither Capitalist Nor Wage-Labourer: An Economic Examination of the Exceptionalism of Artistic Production vis-à-vis the Capitalist Mode of Production. PhD thesis, University of the Arts London.

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Beswick, Katie (2017) Litefeet and the Democratising Potential of Social Media Platforms. In: Performance and Culture: Cities, Embodiments, Technologies, 7-9 March 2017, University of Malta.

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Beswick, Katie (2017) Kadhja Bonet – the Los Angeles artist conjuring that 1940s Disney feeling. Loud and Quiet, 83. ISSN 2049-9892

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Breslin, Hannah (2017) Wittier, cleverer and more ambitious: Moving beyond a standardised approach to skills audit exercises. Spark: UAL Creative Teaching and Learning Journal, 2 (1). pp. 15-27. ISSN 2397-6594

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Beswick, Katie (2017) Live Art and the Body. In: Franko B. Unbound. ISBN 978-1-906470-15-9

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Beswick, Katie (2016) Joey Purp is the vegan rapper from Chicago setting his sights on a Lil Wayne collaboration. Loud and Quiet, 81. ISSN 2049-9892

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Beswick, Katie (2016) Build A Fortress. Loud and Quiet, 80. ISSN 2049-9892

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Barford, Katie Elizabeth (2016) Drawing, Interpretation and Costume Design: a study of the costumed body informed by watching 'Tanztheater Wuppertal' in rehearsal and performance. PhD thesis, University of the Arts London.

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Beswick, Katie and Hawkins, Harriet and Kohmaier, Joseph (2016) The road to Epidaurus is like the road to creation: tapping the urban archive. Cultural Geographies, 23 (3). ISSN 1474-4740

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Beswick, Katie (2016) Ten in a Bed: Literacy, Intermediality and the Potentials of Low-Tech. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (3). pp. 337-348. ISSN 1470-112X

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Beswick, Katie (2016) A Trialectical Cusp: between the real and the represented. Performance Research: A Journal of the Performing Arts, 21 (3). pp. 27-36. ISSN 1469-9990

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Beswick, Katie (2016) The Council Estate as Hood: SPID Theatre Company and Grass-roots Arts Practice as Cultural Politics. In: Performing (for) Survival. Palgrave Macmillan, pp. 163-184. ISBN 978-1-137-45426-3

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Baddeley, Oriana and Mahurter, Sarah and Rughani, Pratap and Coldwell, Paul and Collins, Jane and Putnam, James and Kim, Jihoo (2016) Into the Archive. Re-Viewing Kubrick. In: Into the Archive- Reviewing Kubrick. Kim Hong-hee Seoul Museum of Art, Seoul, Korea, pp. 1-116.

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Bolivar, Juan and Stark, John (2015) Anti-Social Realism. [Show/Exhibition]

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Bolivar, Juan (2015) The Armory, 2014. [Show/Exhibition]

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Bracey, Andrew (2014) (detail). [Show/Exhibition]

Bradley, Kerry and Mannix, Aoife (2014) BEST. [Art/Design Item] Item not available online.

Bradley, Kerry and Blunck, Marie and Haseler, Glenda (2014) Masquerade (production, set and props). [Show/Exhibition] Item not available online.

Baseman, Jordan (2013) Deadness, How to Manage Stillness and The Old Blood. [Art/Design Item] Item not available online.

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Brew, Angie and Kantrowitz, A. and Fava, M. (2013) Drawing Connections: new directions in drawing and cognition research. Tracey: drawing and visualisation research. ISSN 17423570

Baseman, Jordan (2011) Green Lady and 1973. [Art/Design Item] Item not available online.

Baseman, Jordan (2011) Art, aesthetics and pornography. In: Art, Aesthetics & Pornography, 17th June 2011, King’s College London. (Unpublished) Item not available online.

Betts, Simon and Hopkins, Diedrie and Juba, N. and Chorpening, Kelly and Thompson, Ian and Kovats, Tania (2011) Camera lucida 2: new approaches to teaching drawing. In: Camera Lucida 2: New Approaches to Teaching Drawing, 20th April 2011, London. (Unpublished) Item not available online.

Baseman, Jordan (2011) Experimental cinema. [Show/Exhibition] Item not available online.

Baseman, Jordan (2011) I hate Boston, Boston hates me. In: Destroyed Public Artworks, March 2011, University of Essex. (Unpublished) Item not available online.

Baseman, Jordan (2011) Nature’s great experiment. [Art/Design Item] Item not available online.

Baseman, Jordan (2011) Artprojx at SVA cinema. [Show/Exhibition] Item not available online.

Baseman, Jordan (2011) Coming of age. [Show/Exhibition] Item not available online.

Baseman, Jordan (2011) Moving portraits. [Show/Exhibition] Item not available online.

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Baddeley, Oriana and Collins, Jane and Farthing, Stephen and Green, Becky and Hogan, Eileen (2011) The Currency of Art: a collaboration between the Baring Archive and the Graduate School of CCW. CCW Graduate School, London. ISBN 978-0-9558628-5-4

Baseman, Jordan (2011) Inside man. [Art/Design Item] Item not available online.

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Barson, Tanya and Baddeley, Oriana (2011) Itinerant drawing from Latin America. In: Travelling Lines: Drawing as an Itinerant Practice, 22-23 September 2011, Chelsea College of Art and Design. (Unpublished)

Baseman, Jordan (2011) No bloody chance. [Art/Design Item] Item not available online.

Baseman, Jordan (2010) Los Angeles animation festival. [Show/Exhibition] Item not available online.

Baseman, Jordan (2010) The Melbourne underground film festival. [Show/Exhibition] Item not available online.

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Baxter, Hilary (2010) Costume narratives at the Banqueting House. [Performance]

Baxter, Hilary (2010) The way to keep him. [Performance] Item not available online.

Baseman, Jordan (2010) Adding complexity to confusion. [Show/Exhibition] Item not available online.

Baseman, Jordan (2010) Among the nightingales. [Show/Exhibition] Item not available online.

Baseman, Jordan (2010) Nature’s great experiment. [Art/Design Item] Item not available online.

Baseman, Jordan (2010) The most powerful weapon in this world. [Show/Exhibition] Item not available online.

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Baugh, Christopher (2010) Edward Gordon Craig: his legacy, final discussion. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V & A museum, London. (Unpublished)

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Bailey, Kate and Collins, Jane (2010) Interpreting Craig for new audiences. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V & A Museum, London. (Unpublished)

Baxter, Hilary (2010) School of change. [Art/Design Item] Item not available online.

Baseman, Jordan (2009) Dark is the Night. [Art/Design Item] Item not available online.

Baseman, Jordan (2009) Nasty piece of stuff. [Art/Design Item] Item not available online.

Baseman, Jordan (2009) Dark is the Night [book]. ArtSway and The Photographers' Gallery, Sway. ISBN 9780955840630 Item not available online.

Baseman, Jordan (2009) The dandy doctrine (a delightful illusion). [Art/Design Item] Item not available online.

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Baseman, Jordan (2008) Born To Run. [Art/Design Item]

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Baseman, Jordan (2007) 4 films: 'Joy on Toast', 'The Documentary Imperative', 'Inside Man', and 'An Event in the Village'. [Art/Design Item]

Bamford, Anne and Qvortrup, Matt (2007) European Arts Education: Three commisioned reports - 'The Ildsjael in the Classroom: A Review of Danish Arts Education in the Folkeskole'; 'Kwaliteit en Consistentie: Arts and Education in Flanders'and 'Netwerkan en Verbindingan: Arts and Cultural Education in the Netherlands'. Project Report. Danish Ministry of Education; Ministry of Education, Flanders; Netherlands Ministry for Education,. Item not available online.

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Baseman, Jordan and Moffitt, Terrie (2007) Nature's Great Experiment. [Art/Design Item]

Bugg, Roderick (2007) Solo Exhibition - In Parallel: sculpture and drawing. [Show/Exhibition] Item not available online.

Burrows, David (2007) 'Find Out Who They Are and They Will Tell You What They Must Wear': Exploring the Work of Richard Negri and Post-War Theatre in Britain. [Show/Exhibition] Item not available online.

Burrows, David (2007) Collaborators. [Show/Exhibition] Item not available online.

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Beech, Amanda (2006) Falk. [Art/Design Item]

Bamford, Anne (2006) Art education in Australia. Revue Internationale d’Education Sèvres, 42. Item not available online.

Boggon, Anna (2006) Less Travelled. [Art/Design Item] Item not available online.

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Blunck, Marie and Litalien, Camille (2006) Trailer: Performance Addressing how Movement and Drawing can be Integrated into Theatrical Space. [Performance]

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Blacklock, George (2006) Excerpts from the Pieta~Series. [Show/Exhibition]

Burrows, David (2006) The Life and Work of Richard Negri: The Development of British Theatre Design in the Post War Period. Item not available online.

Beech, Amanda and Poole, Matthew (2006) Little private governments. [Show/Exhibition] Item not available online.

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Bamford, Anne (2006) The Wow Factor: global research compendium on the impact of the arts in education. Waxmann. ISBN 3-8309-1617-5

Beech, Amanda and Lester, J.J. and Poole, Matthew (2005) Episode. [Show/Exhibition] Item not available online.

Bateson, Karen and Young, Hamish (2005) Circle/Repfigit Series. [Art/Design Item] Item not available online.

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Baseman, Jordan (2005) don't stop 'til you get enough. [Show/Exhibition]

Bateson, Karen and Young, Hamish (2004) European Frame Series. [Art/Design Item] Item not available online.

Boggon, Anna (2004) Put em up (solo exhibition). [Show/Exhibition] Item not available online.

Boggon, Anna (2004) Tempered Ground. [Art/Design Item] Item not available online.

Bugg, Roderick (2004) Re-interpretations: a sequence of drawings derived from historical works in public and corporate collections. [Show/Exhibition] Item not available online.

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  • + 3 others
Blacklock, George (2003) Fictional Spaces. [Show/Exhibition]

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Boggon, Anna (2003) Il Palazzo delle Liberta. [Show/Exhibition]

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Blunck, Marie (2003) War in Heaven: Interactive CD-Rom Developed in Collaboration with the Software Developer Adrian Ward of Signwave. [Art/Design Item]

Bugg, Roderick (2003) Solo Show: Galerie de Witte Voet Amsterdam. [Show/Exhibition] Item not available online.

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Bamford, Anne (2003) Visual Literacy and New Technologies. Project Report. New Media Consortium.

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Burrows, David (2002) 2D/3D Design for Theatre and Performance. [Show/Exhibition]

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  • + 14 others
Blacklock, George (2002) Flowers West Santa Monica: solo show. [Show/Exhibition]

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  • + 9 others
Blacklock, George and de Blas, Mariano (2002) Meridiano de Greenwich. [Show/Exhibition]

Baseman, Jordan (2002) 1+1=1 and Under the Blood: Commission for the Arts Council England's Collaborative Arts Unit and Papworth Hospital's Heart and Lung Transplant Unit. [Art/Design Item] Item not available online.

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Collins, Jane (2024) Report from Kampala, Uganda. Theatre and Performance Design, 10. ISSN 2332-2551

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Cross, David (2023) The Undiscussed University: Art practice and institutional transformation towards ecopedagogy. ISSUE Journal of art & design (20).

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Cheung, Wai-ting Stephanie (2022) Co-creating Agency, Remaking Worlds: Socially Engaged Participatory Art in Hong Kong and Taiwan. PhD thesis, University of the Arts London.

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Cardwell, Thomas and Gubb, Mark (2019) Hiraeth - A Collaborative Project. In: Anyone can do it: Noise, Punk, and the Ethics/Politics of Transgression, 16-17 December 2019, Newcastle University, Newcastle-Upon-Tyne.

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Coldwell, Paul (2019) The Making of the Paula Rego's The Nursery Rhymes. Impact Printmaking Journal, 1.

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Cardwell, Thomas (2019) Neon Nights. [Show/Exhibition]

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Cardwell, Thomas (2019) Illuminating Battle Jackets. Riffs.

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Cardwell, Thomas and Sanders, Nigel (2019) Black Doom Church. [Art/Design Item]

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Cardwell, Thomas (2019) Illuminating Battle Jackets; a Fine Art Research Project. In: Home of Metal Symposium, 13 - 14 September 2019, Birmingham City University.

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Cronin, Rosemary and Mazzarella, Francesco and Tischler-Wood, Alma, Foreign Investments Collective (2019) I Wanna Be Me, I Wanna Be EU. [Performance]

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Campbell, Lee (2019) Deprivation Strategies: Increasing Public Understanding of Vision Impairment Using Performative Pedagogy. Body, Space & Technology, 18 (1). pp. 126-144. ISSN 1470-9120

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Cardwell, Thomas (2019) Faster, Faster! [Show/Exhibition]

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Cardwell, Thomas (2018) 'They’re Selling Slayer Shirts in Primark!’; Contesting authenticity through metal and punk t-shirts. In: Doing metal, being punk, doing punk, being metal: hybridity, crossover and difference in punk and metal subcultures. Punk Scholars Network 5th Annual Conference, 13 & 14 December 2018, De Montfort University, Leicester, UK..

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Cronin, Rosemary (2018) Being a Fine Artist. In: Making It: Careers in Art and Design, 24 November 2018, Victoria and Albert Museum.

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Clay, Siobhan (2018) So, you want to be an academic? The experiences of Black, Asian and Minority Ethnic Undergraduates in a UK Creative Arts University. In: Access to success and social mobility through Higher Education. Great Debates in Higher Education, 1 (6). Emerald Publishing, Bingley, pp. 99-113. ISBN 978-1-78754-110-8 Item availability restricted.

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Cross, David (2018) The Art of the Possible: The ArcelorMittal Orbit, collective memory, and ecological survival. In: Regeneration Songs: Sounds of Investment and Loss from East London. Repeater Books, London. ISBN 9781912248230

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Collins, Jane (2018) Orosei,Sardinia: Museo Don Giovanni Guiso. Theatre and Performance Design, 4 (1-2). pp. 149-164. ISSN 23322551

Carden, Paul (2018) Ctrl-Alt-Create. [Show/Exhibition] Item not available online.

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Campbell, Lee (2018) The Heckler’s Promise. Performance Paradigm, 14. pp. 126-140. ISSN 1832-5580

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Cobbing, William (2018) 'The Kiss 2' (2017) video and 'Squeaky bum time' (2018) installation, exhibited in the group exhibition LER! (CLAY!). [Show/Exhibition]

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Collins, Jane and Anandhakrishnan, B. (2018) Against a hierarchy of expressive means; arguments for new pedagogies in performer education in India and the UK. Studies in Theatre and Performance. ISSN 2040-0616 online Print 14682761

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Cross, David (2018) Never Let Me Go. In: Distributed. Occasional Table Series, 6 . Open Editions, London, pp. 29-51. ISBN 979-0-949004-09-3

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Campbell, Lee (2018) Rupturing the contract: Performative pedagogy, power relations and interruption. Spark: UAL Creative Teaching and Learning Journal, 3 (2). pp. 104-115.

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Collins, Jane (2017) Playing with Materials: Performing effect on the indoor Jacobean stage. In: The Routledge Companion to Scenography. Routledge, Oxon and New York, pp. 215-224. ISBN 978-1-138-91780-4

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Cross, David (2017) ‘Those Were Dreams. These Are Plans.’. [Art/Design Item]

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Cardwell, Thomas (2017) Battle jackets, authenticity and ‘material individuality’. Metal Music Studies, 3 (3). pp. 437-458. ISSN ISSN 2052-3998 (Print); ISSN 2052-4005 (Online)

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Collins, Jane and Brooks, Ethel (2017) Scenography Matters: Performing Romani Identities as Strategy and Critique. In: Scenography Expanded. Performance and design . Bloomsbury, London, pp. 95-111. ISBN 9781474244398

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Cardwell, Thomas (2017) 'Bad Patch'. [Show/Exhibition]

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Collins, Jane (2017) Anecdotal Evidence: Tales from the stage edge. In: Professorial Platform Lecture Series 2017, 3 March 2017, Wimbledon College of Arts.

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Coldwell, Paul (2017) Jim Dine – Printmaking and the Tools of his Trade. Print Quarterly, 33 (2). pp. 177-188. ISSN 0265-8305

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Conran, Maia, The Disembodied Voice (2016) The Disembodied Voice and the Cassette Tape. [Art/Design Item]

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Conran, Maia and Roberts, Ronald Suresh (2016) The Unbook Prize - Y Gadair (performance/lecture). [Show/Exhibition]

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Coldwell, Paul (2016) Henry Moore-Elephant Skull. In: Gérald Cramer and "his" artists, Chagall, Miro, Moore. Patrick Cramer, Geneva, pp. 55-63. ISBN 978-2-8399-1996-8

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Cohen, Andy and James, Keran and Keenan, Michael and Boggon, Anna (2016) Glaze My Cave. [Show/Exhibition]

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Conran, Maia and Hill, Yannick and Taylor, Rachel Emily (2016) This Island, and its buildings, is our private paradise (web version). [Show/Exhibition]

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Conran, Maia and Hill, Yannick (2016) Meat. [Art/Design Item]

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Coldwell, Paul (2016) Print, making and the work of art alone. In: SNAP 2015. Edition & Verlag Kloster Bentlage, Rheine, Germany, pp. 14-19. ISBN 9783939812456

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Coldwell, Paul (2016) Giorgio Morandi: Epiphany in a bottle. Art in Print, 5 (5). pp. 28-29. ISSN 2164-2702

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Collins, Jane (2015) Report from the Edinburgh International Festival August 2015. Theatre and Performance Design, 1 (3). pp. 256-267. ISSN 2332-2551

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Cobbing, William and Cooper, Rosie (2015) 'Boooook Laaaaaaunch' evening of performances at the ICA Theatre, London. [Performance]

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Coldwell, Paul (2015) Hybrid practices within printmaking. Journal of Visual Art Practice, 14 (3). pp. 175-178. ISSN 1470-2029

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Cobbing, William and Cooper, Rosie and Krogh Groth, Sanne and Toop, David and Wilson, Andrew (2015) 'Boooook: The Life and Work of Bob Cobbing'. n/a, n/a (n/a). Occasional Papers, UK. ISBN 978-0-9929039-5-4

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Creamer, Anne-Marie (2015) The Dilemmas of Adaptation: Making Treatment for Six Characters. Pirandello Studies, 35. pp. 106-115. ISSN 1471-9363

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Conran, Maia and Hill, Yannick (2015) This island, and its buildings, is our private paradise. [Show/Exhibition]

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Cardwell, Thomas (2015) Artefacts. [Show/Exhibition]

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Creamer, Anne-Marie (2015) The Passing of the Keepers of Salento: a memorial to obsolescence. In: Moving Landscape. Progetto GAP, Italy.

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Cobbing, William (2015) 'Transactions of the Duddo Field Club' William Cobbing, solo exhibition catalogue. mima (Middlesbrough Institute of Modern Art), UK. ISBN 978-0-86083-103-7

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Creamer, Anne-Marie and Sullivan, Lesley G. (2015) Pirandello’s Unrealized Film, Treatment for Six Characters: An Interview with Film Director and Artist Anne-Marie Creamer. Pirandello Society Annual journal (PSA), 27. pp. 101-115. ISSN 1042-4823

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Cobbing, William (2015) 'Terrapolis' group exhibition, Athens, 2015. [Show/Exhibition]

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Cobbing, William and Cooper, Rosie (2015) Make Perhaps This Out Sense of Can You. In: 'Make Perhaps This Out Sense of Can You' symposium at Chelsea College of Arts, 21 May 2015, 21 May 2015, Chelsea College of Arts.

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Cobbing, William (2015) 'What Are Words Worth?'. [Performance]

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Coldwell, Paul (2015) The Poster - Public and Private Sites. In: post no bills - Das Medium Plakat zwischen Kunst und Kommerz. Steidl, Göttingen, Germany, pp. 47-57. ISBN 9783958291461

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Clancy, Catherine (2015) Poiesis and Obstruction in Art Practice. PhD thesis, University of the Arts London, University of Surrey.

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Cardwell, Thomas (2015) Battle jackets: craft and folk culture research through creative practice. In: Modern Heavy Metal: Markets, Practices and Cultures. Crossover . Aalto University, Aalto, Finland, pp. 138-149. ISBN 9789526062174

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Coldwell, Paul (2015) Material Things: Sculpture and Prints. [Show/Exhibition]

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Cardwell, Thomas and Taylor, Jamie (2015) Neon Knights. [Show/Exhibition]

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Collins, Jane (2015) Introduction to Aesthetics of Absence, Texts on Theatre by Heiner Goebbels. In: Aesthetics of Absence: Texts on Theatre. Routledge, Abingdon, Oxon and New York. ISBN 9780415831048

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Coldwell, Paul (2014) Paul Coldwell: Paula Rego as Printmaker. In: Paul Coldwell: Paula Rego as Printmaker, 2 December 2014, House of Illustration, 2 Granary Square, King's Cross, London N1C 4BH.

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Cobbing, William (2014) 'Concerning Concrete Poetry' re-issue with material from Bob Cobbing archive. Slimvolume, UK. ISBN 978-1-910516-00-3

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Cobbing, William (2014) 'Bill Jubobe'. [Show/Exhibition]

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Cobbing, William (2014) 'BOB PUB' publication, Chelsea Space (2014). n/a, 57 . Chelsea Space, UK. ISBN 978-1-906203-79-5

Coldwell, Paul (2014) The role of drawing in the work of Charlotte Hodes. Journal of Visual Art Practice, 13 (2). pp. 85-100. ISSN 1470-2029 (Print), 1758-9185 (Online) Item not available online.

Cardwell, Thomas and Lewis, Sarojini (2014) Fragmented Narration. [Show/Exhibition] Item not available online.

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Cobbing, William (2014) The Dimmest Planets. [Show/Exhibition]

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Conran, Maia (2014) Here is the Yard. [Show/Exhibition]

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Cobbing, William (2014) 'Transactions of the Duddo Field Club'. [Show/Exhibition]

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Cardwell, Thomas (2014) Faith Once More. [Show/Exhibition]

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Creamer, Anne-Marie (2013) Meeting the Pied Piper in Brasov. [Show/Exhibition]

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Cobbing, William (2013) 'ABC in Sound'. [Show/Exhibition]

Collins, Jane (2013) A Scenography Workshop on Campus in Hyderabad: Romeo, Juliet and the Security Guard. Studies in Theatre and Performance, 33 (3). pp. 383-396. ISSN 1468-2761 Item not available online.

Collins, Jane (2012) Embodied Presence and Dislocated Spaces: Playing the Audience in Ten Thousand Several Doors in a Promenade, Site-specific Performance of John Webster's The Duchess of Malfi. In: Performing Site-Specific Theatre: Politics, Place, Practice. Palgrave Performance Interventions . Palgrave Macmillan, Basingstoke, Hampshire, U.K., pp. 54-68. ISBN 9780230364066 Item not available online.

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Coldwell, Paul (2011) International print biennale. [Show/Exhibition]

Collins, Jane (2011) reSearching: playing in the archive, part 2. [Performance] Item not available online.

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Chorpening, Kelly (2011) Drawing at higher levels. In: Camera Lucida II, 20 April 2011, Royal Society, Carlton House, London. (Unpublished)

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Chorpening, Kelly and Farthing, Stephen and Betts, Simon (2011) Footprints across fresh snow. [Art/Design Item]

Collins, Jane (2011) Looking: the experience of seeing, a scenographic perspective. In: Indian Society of Theatre Research (ISTR): Theatre Research Conference, January 2011, Hyderabad , India. (Unpublished) Item not available online.

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Casson, Dinah (2010) Edward Gordon Craig on my shoulder. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V&A Museum, London. (Unpublished)

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Collins, Jane (2010) Craig: In His Own Words in Space and Light. [Art/Design Item]

Collins, Jane (2010) Embodied presence and dislocated spaces: ten thousand several doors a site specific re-staging of John Webster's the Duchess of Malfi. In: World Congress: Cultures of Modernity, 25-31 July 2010, Munich, Germany. (Unpublished) Item not available online.

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Collins, Jane and Nisbet, Andrew (2010) Theatre and performance design: a reader in scenography. Routledge Taylor Francis Group, Oxford, U.K.. ISBN 9780415432092, 9780415432108

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Coldwell, Paul (2010) Printmaking: a contemporary perspective. Black Dog Publishing, London, UK. ISBN 9781906155438

Cobbing, William (2009) Bamiyan Mirror. [Art/Design Item] Item not available online.

Cobbing, William (2009) Clapper Tongue and Moon Walker. [Art/Design Item] Item not available online.

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Callery, Simon, Oxford Archaeology (2008) Thames Gateway Project: seeking new art forms for the representation of the experience of contemporary landscape. [Art/Design Item]

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Collins, Jane (2007) Umuntu, ngumuntu, ngabantu: the story of the African choir. Studies in Theatre and Performance, 27 (2). pp. 95-114. ISSN 14682761

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Collins, Jane and Pavelka, Michael (2007) Stages calling: Photographs from the Market Theatre by Ruphin Coudyzer. [Show/Exhibition]

Courtney, Cathy (2007) Two interviews by Cathy Courtney with Stephen Willats and David Tremlett. In: Talking Art: Interviews with Artists since 1976. Ridinghouse and Art Monthly, 373-378; 393. ISBN 978-1-905464-04-3 Item not available online.

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Collins, Jane (2007) The story of the African choir. [Art/Design Item]

Collins, Jane and Farley, Peter (2006) Ten thousand several doors. [Art/Design Item] Item not available online.

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Callery, Simon (2006) Stones: Circles: Landscape: Art. [Show/Exhibition]

Callery, Simon (2004) Settlement. [Art/Design Item] Item not available online.

Courtney, Cathy and Griffen, Hayden (2004) Jocelyn Herbert at the National. [Show/Exhibition] Item not available online.

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Callery, Simon (2003) Segsbury Project. [Show/Exhibition]

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Crossley, Yvonne (2001) Proposals for the Funeral Artefacts for Six Women. PhD thesis, University of the Arts London. Item availability restricted.

Courtney, Cathy (2001) Architects' Lives. British Library Sound Archive Item not available online.

Courtney, Cathy (2001) Development of 'Artists' Lives'. British Library Sound Archive Item not available online.

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Dover, Annabel (2019) Florilegia, a fictional dialogue with the works of Anna Atkins: How does a fictional response to the works of Anna Atkins provide a new retelling of her work? PhD thesis, University of the Arts London.

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Diplexcito, Nelson (2019) 3rd of May. [Show/Exhibition]

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Diplexcito, Nelson (2019) This Instead of That. [Show/Exhibition]

Diplexcito, Nelson (2018) The Inner and the Outer. [Show/Exhibition] Item not available online.

Diplexcito, Nelson (2018) Reflections from a Distant Land. [Show/Exhibition] Item not available online.

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Diplexcito, Nelson (2018) CTRL-ALT-CREATE. [Show/Exhibition]

Diplexcito, Nelson (2017) Fully Awake. [Art/Design Item] Item not available online.

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Diplexcito, Nelson (2017) Nacht und Träume. [Show/Exhibition]

Diplexcito, Nelson (2017) Nacht und TrÄume. [Show/Exhibition] Item not available online.

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de Selincourt, Chris (2017) Where is the mind of the media editor? An analysis of editors as intermediaries between technology and the cinematic experience. PhD thesis, Cardiff School of Art and Design - Cardiff Metropolitan University.

Diplexcito, Nelson (2017) The Deeper You Go, The More Byzantine It Gets. In: About Face, 10th March 2017, Wimbledon College of Art. Item not available online.

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dos Anjos Afonso, Manoela (2016) Language and place in the life of Brazilian women in London: writing life narratives through art practice. PhD thesis, University of the Arts London.

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Dower, Natalie and Noga, Laurence (2015) Natalie Dower: Reflections. Eagle Gallery, London.

Diplexcito, Nelson (2015) Painting, Smoking, Eating. [Show/Exhibition] Item not available online.

Diplexcito, Nelson (2014) Nanjing International Art Exhibition. [Show/Exhibition] Item not available online.

Diplexcito, Nelson (2014) Painted City. [Show/Exhibition] Item not available online.

Dibosa, David (2014) Fugitive Direction: Reflections on the Troppen Museum. In: Amateur: Wendelien van Oldenborgh. Berlin: Sternberg Press, pp. 161-184. ISBN 9783956791918 Item not available online.

Diplexcito, Nelson (2013) Dirty Pop: Contemporary British Painting. [Show/Exhibition] Item not available online.

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Dawson, Elizabeth (2013) ‘Comfort and Freedom’: The Duke of Windsor’s Wardrobe. Costume, 47 (2). pp. 198-215. ISSN 0590-8876

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Dibosa, David and Walsh, Victoria and Dewdney, Andrew (2012) Post-critical museology: theory and practice in the art museum. Routledge, London, UK. ISBN 978-0-415-60601-1, 978-0-415-60600-4

Diplexcito, Nelson (2012) minderwertig gemälde. [Show/Exhibition] Item not available online.

Diplexcito, Nelson (2012) Half-Cut. [Show/Exhibition] Item not available online.

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Diplexcito, Nelson (2011) Nelson Diplexcito: paintings. [Show/Exhibition]

Diplexcito, Nelson (2011) Exhibition. [Show/Exhibition] Item not available online.

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Dibosa, David and Dewdney, Andrew and Walsh, Victoria (2010) Cultural inequality, multicultural nationalism and global diversity: Tate encounters: Britishness and visual culture. In: Beyond Cultural Diversity: The Case for Creativity. A Third Text Report . Routledge on behalf of Black Umbrella, London, UK, pp. 81-91. ISBN 978-0-947753-11-5

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Doona, Liam (2010) Second thoughts are best: Edward Gordon Craig and an education through theatre design. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V & A museum, London. (Unpublished)

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Dibosa, David (2009) Queer Appearances: Gilbert & George's Visual Strategies: The use of studios: Television, art practice and the visual strategies of Gilbert & George. Sexualities, 12 (2). pp. 251-262. ISSN 1363-4607

Dyer, Chris (2007) Open Stages: Software Development for a Virtual Theatre. Written and programmed by Dyer Item not available online.

Diplexcito, Nelson and Churcher, Sheila (2006) Calendar Poems. [Art/Design Item] Item not available online.

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Dunhill, Mark and O'Brien, Tamiko (2005) Sculptomatic: An Exhibition in Two Parts. [Show/Exhibition]

Dibosa, David (2004) Fatal Distraction: art-writing and looking at art, an investigation into the relationship between art-writing and spectatorship. In: Put About: A Critical Anthology on Independent Publishing. Book Works, London, pp. 42-48. ISBN 1-870699-70-X Item not available online.

Diplexcito, Nelson and Churcher, Sheila (2004) Tryst. [Art/Design Item] Item not available online.

Drew, Linda and Bailey, Sue and Shreeve, Alison (2004) Students’ approaches to the ‘research’ component in the fashion design project: Variation in students’ experience of the research process. Art, Design & Communication in Higher Education, 2 (3). ISSN 1474-273X Item not available online.

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Dunhill, Mark and O'Brien, Tamiko (2003) Examples in Sculpture. [Show/Exhibition]

Dyer, Chris and Bogdanov, Michael (2003) The Merchant of Venice and The Winter's Tale. [Art/Design Item] Item not available online.

Davidmann, Sara (2003) nu-gender. [Art/Design Item] Item not available online.

Davidmann, Sara (2003) Crossing the Line. Dewi Lewis Publishing, England. ISBN 1-899235-39-6 Item not available online.

Dibosa, David (2003) Exhibitions of Mourning: published text addressing the relationship between spectatorship and mourning. In: Visuelle Kulture: Korper, Raume, Medien. Bohlau Verland, Vienna, pp. 125-137. ISBN 3-205-77040-4 Item not available online.

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Drew, Linda and Trigwell, Keith (2003) Qualitative Differences in Approaches to Teaching, Teacher Satisfaction and Communities of Practice in Art, Design and Communication Courses. In: EARLI conference, 2003, Padua. (Unpublished)

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Dyer, Chris and Bogdanov, Michael (2002) The Merry Wives of Windsor. [Art/Design Item]

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Drew, Linda and Bailey, Sue and Shreeve, Alison (2002) Fashion Variations: Students Approaches to Learning in Fashion Design. In: Exploring effective curricula practices in art, design and communication in Higher Education: Proceedings for the 1st international centre for Learning and Teaching in Art and Design, Conference, 11-12 April, 2002, RIBA London.

Dyer, Chris and Carson, Christie (2001) Designing Shakespeare, Virtual Reality Theatre Models. Arts and Humanities Data Service Performing Arts Archive. [Art/Design Item] Item not available online.

E

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Eden, Michael (2019) Three-sided World; Interview with Stuart Jones. Trebuchet Magazine.

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Eden, Michael (2019) Alienated Ambiguity. Trebuchet, Portraits, 7. pp. 164-171. ISSN 1753-030X07

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Eden, Michael (2019) Keys and Red Herrings. Trebuchet, Portraits, 7. pp. 146-157. ISSN 1753-030X07

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Eden, Michael (2019) No Heroic Male Master. Trebuchet, Portraits, 7. pp. 12-27. ISSN 1753-030X07

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Eden, Michael (2019) Spiralling Intentionally Towards Figuration. Trebuchet, Portraits, 7. pp. 88-97. ISSN 1753-030X07

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Eden, Michael (2019) Cyril de Commarque Interview. Trebuchet Magazine.

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Eden, Michael (2019) Joker, a Film to Fall Out Over? Trebuchet Magazine.

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Eden, Michael (2019) William Kentridge In Praise of Shadows. Trebuchet Magazine.

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Eden, Michael (2019) Creative and Critical Curation at the Mostyn Gallery. Trebuchet Magazine.

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Eden, Michael (2018) What the Dickens! The End of the Social Climber? Trebuchet Magazine.

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Eden, Michael (2018) Alchemical transformations in soul and psyche. Trebuchet, The Body, 4. pp. 57-66. ISSN 1753-030X04

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Eden, Michael (2018) Hypnotic memories of the future. Trebuchet, The Body, 4. pp. 77-80. ISSN 1753-030X04

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Eden, Michael (2018) Pain, Wit and Gesture. Trebuchet, The Body, 4. pp. 126-129. ISSN 1753-030X04

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Edwards, Sharon and Fryer, Nic (2018) Results of Cross-Faculty ‘Capstone’ Assessments Involving Nursing and Performing Arts Students. Nursing Management. ISSN 2047-8976

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Eden, Michael (2018) Painterly Process and Human Traces. Trebuchet Magazine.

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Eden, Michael (2018) Exclaim Galatea. Trebuchet Magazine.

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Eden, Michael (2018) Neo-Modernism: soul nourishing renaissance. Trebuchet Magazine.

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Eden, Michael (2018) Meta Modernity & The End of Postmodernity? Trebuchet Magazine.

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Eden, Michael (2018) Alter-modern, Claiming a New Era. Trebuchet Magazine.

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Eden, Michael (2018) The Eclipse of Postmodernism: wishful thinking or concrete fact? Trebuchet Magazine.

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Eden, Michael (2018) Equivalence & the Loss of the Engaged Human. Trebuchet Magazine.

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Eden, Michael (2018) Postmodernism & Its Discontents. Trebuchet Magazine.

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Ellis, Tim and Terry, Kate and Monroe, Ian (2018) New Relics. [Art/Design Item]

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Eden, Michael (2018) Postmodernism: Living a Lie Dreaming the Truth. Trebuchet Magazine.

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Eden, Michael (2018) You’re Not Living You’re Just Killing Time. Trebuchet Magazine.

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Eden, Michael (2018) Postmodernism: Anti-Art reflecting a knowing society. Trebuchet Magazine.

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Eden, Michael (2018) Postmodernity, a Trinity of Crises. Trebuchet Magazine.

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Eden, Michael (2018) Postmodernism ‘Phoenix’ In Commas. Trebuchet Magazine.

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Eden, Michael (2018) The Ticking Bomb, Torture & the CIA. Trebuchet Magazine.

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Eden, Michael (2018) Geoff Diego Litherland, Painter of Another Present. Trebuchet Magazine.

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Eden, Michael (2018) Phillip Allen Body & Mind. Trebuchet Magazine.

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Eden, Michael (2018) What Dreams May Come? Trebuchet Magazine.

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Eden, Michael (2018) Broadcasting Dissent, Investigative Journalist Abby Martin. Trebuchet, Art and Resistance, 3. pp. 130-139. ISSN 1753-030X03

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Eden, Michael (2018) China's Contemporary Cultural Revolution, Voicing the Tensions of a Democratised Culture. Trebuchet, Art and Resistance, 3. pp. 150-177. ISSN 1753-030X03

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Eden, Michael (2018) Max Klinger & The Freudian Unconscious. Trebuchet Magazine.

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Eden, Michael (2018) Damien Meade, Duality, Beginnings & Endings. Trebuchet Magazine.

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Eden, Michael (2018) ‘We Can Make You Blind’ The Adventures of Cambridge Analytica. Trebuchet Magazine.

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Eden, Michael (2018) Terracotta Daughters 2012-2030. Trebuchet Magazine.

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Eden, Michael (2018) Decolonising Higher Education, But What Does it Mean? Trebuchet Magazine.

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Eden, Michael (2018) Sonia Boyce and a Meta Criticism of the Critics. Trebuchet Magazine.

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Eden, Michael (2018) Ghost Cities and the Art that Haunts Them. Trebuchet Magazine.

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Evans, Geraint (2017) ‘Imaging the Rustic and the Wilderness: The landscape sketch in nineteenth century Britain and America.’. In: 'Art. Letter Home', Sympsium: 10/12/17; Exhibition 11/12/18 - 03/01/18, China Academy of Art, Nanshan campus, Hangzhou, China.

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Evans, Geraint and Priseman, Robert (2017) Contemporary Masters from Britain: 80 British Painters of the 21st Century. [Show/Exhibition]

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Eden, Michael (2017) Against the Indignities of Trump, We Are Either All Together, or We Fall. Trebuchet Magazine.

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Eden, Michael (2017) Sympathy/Empathy: The Very Air That Evil Breathes. Trebuchet Magazine.

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Eden, Michael (2017) The Ivory Tower, Trump, and the Eclipse of Dignity. Trebuchet Magazine.

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Eden, Michael (2016) President Trump, Napoleon and The Eclipse of Dignity. Trebuchet Magazine.

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Eden, Michael (2016) Escaping the Vortex: Would Wyndham Lewis Have Approved? Trebuchet Magazine.

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Eden, Michael (2016) Blasting Out of the Vortex: Wyndham Lewis and Vorticism. Trebuchet Magazine.

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Eden, Michael (2016) Science & Modern Man, the right (and wrong) way to take Wyndham Lewis. Trebuchet Magazine.

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Eden, Michael (2016) Blasted Feminism: Group X, Wyndham Lewis, and Women. Trebuchet Magazine.

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Eden, Michael (2016) And When the Sleeper Wakes? (H.G.Wells, Wyndham Lewis and Nietzche). Trebuchet Magazine.

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Eden, Michael (2016) Friends as Enemies and Enemies as Friends...(Wyndham Lewis). Trebuchet Magazine.

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Eden, Michael (2016) Wyndham Lewis, Grayson Perry, David Baddiel and Masculinity. Trebuchet Magazine.

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Eden, Michael (2016) Brexit: The Betrayal of the Young. Trebuchet Magazine.

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Eden, Michael (2016) Futurism, Vorticism and the Prescience of H.G. Wells (Part Two). Trebuchet Magazine.

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Eden, Michael (2016) Saw it Coming. Futurism, Vorticism and the Prescience of H.G. Wells. Trebuchet Magazine.

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Eden, Michael (2016) All Wrong: the misguided adventures of an art world hero (Grayson Perry). Trebuchet Magazine.

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Eden, Michael (2016) Nothing Happens at All, Part Three: Charity. Trebuchet Magazine.

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Evans, Geraint (2016) Failed Utopias. [Art/Design Item]

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Eden, Michael (2016) In, Out, Shake it All About. What Politicians Forget About a Unified Europe. Trebuchet Magazine.

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Evans, Geraint (2016) The Abject Object. [Show/Exhibition]

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Eden, Michael (2016) Debt, Housing, Creative Solutions: Construct the Future at Hoxton Gallery. Trebuchet Magazine.

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Eden, Michael (2016) (Why) Nothing Ever Happens, Nothing Happens at All. Trebuchet Magazine.

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Eden, Michael (2016) Caliban’s Rage at the Blank Touchscreen: On Becoming a 21st Century Savage. Trebuchet Magazine.

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Eden, Michael (2016) Why the Size of Trump’s Hands Matters: Deconstructing the Randian Superman. Trebuchet Magazine.

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Evans, Geraint (2016) The Flat Pack Sessions. [Show/Exhibition]

Ellis, Patricia (2016) Bonfire of the Vanities. [Show/Exhibition] Item not available online.

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Eden, Michael (2016) The Movements of the Idiot: Are We All Ironic Now? (Part Two). Trebuchet Magazine.

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Eden, Michael (2016) Possessions, Suffering, Charity: Why Nothing Ever Happens (Part Two). Trebuchet Magazine.

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Evans, Geraint and Cali, Marco and Zhang, Xing (2015) Contemporary Drawings from Britain. [Art/Design Item]

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Ellis, Patricia and McKenzie, Jordan (2015) Look at the (E)state We're In (LATEWI). In: Shock City: Resilience and the Anthropocene, 28 October 2015, Chelsea College of Arts, 16 John Islip Street, London, UK.

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Evans, Geraint (2015) Wilding the Edges.

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Evans, Geraint and Kennedy, Robert (2015) A Hermit in Suburbia. [Show/Exhibition]

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Evans, Geraint (2012) The sheer innocence of a curious gaze. [Show/Exhibition]

Evans, Geraint (2012) The History of Fear: Damien Meade. Turps Banana (11). ISSN 17493994 Item not available online.

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Evans, Geraint (2012) Witnessing the Wilderness. [Show/Exhibition]

Evans, Geraint (2011) Memory of a hope. [Show/Exhibition] Item not available online.

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Evans, Geraint (2011) Perceiving landscape: a cultural act and aesthetic experience. In: Dialogues 2011, 10 March, 2011, Norwich, UK. (Unpublished)

Evans, Geraint (2011) The perfect crime. [Show/Exhibition] Item not available online.

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Evans, Geraint (2010) John Moores contemporary painting exhibition: An Ornamental Hermit (Shanghai) An Alpine Biodome (Liverpool). [Show/Exhibition]

Evans, Geraint (2010) Layers: John Moores contemporary art painting prize show. [Show/Exhibition] Item not available online.

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Eyre, Richard (2010) The annual Jocelyn Herbert lecture: less is more. [Art/Design Item]

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  • + 6 others
Evans, Geraint (2004) 'Good News for the Working Lad' (Berwick Gymnasium Fellowship). [Show/Exhibition]

Evans, Geraint (2004) Back out on that road again. [Show/Exhibition] Item not available online.

Evans, Geraint (2003) It's Nothing Special. [Show/Exhibition] Item not available online.

Evans, Geraint (2001) Where Happiness Happens. [Show/Exhibition] Item not available online.

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Fairnington, Mark (2024) Suppose You Are Not. [Show/Exhibition]

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Fairnington, Mark (2023) Reimag(in)ing the Victorians. [Show/Exhibition]

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Fairnington, Mark and Silverton, Edward and Dixon, Sophie (2023) Good Morning Mr Bewick. [Art/Design Item]

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Fairnington, Mark (2023) Landscape of the Gods. [Show/Exhibition]

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Fairnington, Mark (2023) Here's Looking at You. [Show/Exhibition]

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Fairnington, Mark (2023) Arcadia for all? Rethinking Landscape Painting Now. [Show/Exhibition]

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Fryer, Nic (2022) Hope and Helplessness in the Post-Covid Drama, Theatre and Performance Classroom. In: TaPRA, 12-14 September 2022, University of Essex.

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Fryer, Nic (2021) ‘Apart, we are together. Together, we are apart’: Rancière’s Community of Translators in Theory and Theatre. In: Rancière and Performance. Rowman and Littlefield, pp. 101-121. ISBN 9781538146576

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Fryer, Nic (2021) Rancière’s Theatrocracy Within and Beyond the Theatre. In: Rancière and Performance. Rowman and Littlefield, Lanham, pp. 1-14. ISBN 9781538146576

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Forster, Ewan and Heighes, Christopher and Kear, Adrian (2020) Speculation in Unimagined Spaces (2 episodes with Adrian Kear).

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Fairnington, Mark (2020) Relics, Containing the figures of Saints, Martyrs, Sinners, Birds of Paradise, Beasts and Plants. [Show/Exhibition]

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Follows, Chris and Munro Kerr, Rosemary (2019) Open Design & Citizen-Centered Innovation at Tate Exchange 2019. Project Report. University of the Arts London. (Unpublished)

fitzPatrick, Edwina (2019) The Artist who looked inside trees. In: Evolving the Forest, 19 - 21 June, Dartington Hall, Totnes, England. Item not available online.

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fitzPatrick, Edwina (2019) The Archive of the Trees: A Woodland Guide. Fermynwoods Contemporary Arts, UK. ISBN 978 1 78972 327 4

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  • + 1 others
Fairnington, Mark (2019) Childhood Now. [Art/Design Item]

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  • + 5 others
Follows, Chris (2019) Beta Society. [Show/Exhibition]

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  • + 1 others
Fairnington, Mark (2018) Unheimliche Pastorale. [Art/Design Item]

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  • + 2 others
Follows, Chris, Digital Maker Collective (2018) Arts Work of the Future. [Show/Exhibition]

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Follows, Chris, Digital Maker Collective (2018) Technological Immersion. [Show/Exhibition]

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fitzPatrick, Edwina (2018) The archive of the trees. [Show/Exhibition]

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fitzPatrick, Edwina (2017) Fourth International Printmaking workshop Xi’an Academy of Fine Art, China. In: Fourth International Printmaking Workshop. Xi'an Academy of Fine Art, 15-31 October 2017, Xi'an Academy of Fine Art.

fitzPatrick, Edwina (2017) Witnessing unknown landscapes. In: Cross Multi Inter Trans, 6-8 September 2017, Sheffield Hallam University. Item not available online.

fitzPatrick, Edwina (2017) The witnessed and mediated ‘natural’ environment in remote regions. In: ASLE-UKI & Land2 Conference 2017: Cross Multi Inter Trans, 7-9 September 2017, University of Sheffield. Item not available online.

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Farley, Peter (2017) Yolanda Sonnabend (1935-2015) Making Her Mark. Theatre and Performance Design, 3 (1-2). pp. 107-111. ISSN 2332-2551

fitzPatrick, Edwina (2017) A Mediated Forest. In: Mediated Landscapes: The Use of Photography, Film, and Television in Land Art, 15-18 February 2017, New York. Item not available online.

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Fairnington, Mark (2017) The Worm in the Bud. [Art/Design Item]

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Follows, Chris, Digital Maker Collective (2017) Digital Making Art School. [Show/Exhibition]

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Fairnington, Mark (2017) Interview with Mark Fairnington about Portraiture.

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Fryer, Nic and Boot, Michelle (2016) Beyond you and I: role play and reflection-in-action in communication training. Reflective Practice, 18 (1). pp. 112-122. ISSN 1470-1103

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fitzPatrick, Edwina (2016) Safari Park: Alpha male. [Show/Exhibition]

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fitzPatrick, Edwina and Ackroyd, Heather and Harvey, Dan (2016) Getting Real: Interactive Fieldwork. In: Getting Real: Interactive fieldwork, 5 July 2016, Wimbledon.

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Fairnington, Mark (2016) Collected and Possessed.

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  • + 13 others
Fairnington, Mark (2015) Collected and Possessed. [Show/Exhibition]

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Fryer, Nic (2015) The ‘Third Thing’: Rancière, Process Drama And Experimental Performance. Research in Drama Education, 20 (3). pp. 331-336. ISSN 1356-9783

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fitzPatrick, Edwina (2015) Larsen's Lost Water. [Show/Exhibition]

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Follows, Chris (2015) MakerSpace for Open Practice. In: Designs on eLearning 2015: Technology, Culture, Practice, 16-17 September 2015, Central Saint Martins, 1 Granary Square, King's Cross, London N1C 4AA.

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Farley, Peter (2015) Evolving Design for Performance. [Show/Exhibition]

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Farley, Peter (2015) Gasp and stretch one's eyes. Richard Hudson in conversation with Peter Farley. Theatre and Performance Design, 1 (1-2). pp. 144-162. ISSN 2332-2551

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  • + 3 others
Fairnington, Mark (2015) Mark Fairnington, A London Assembly. [Show/Exhibition]

fitzPatrick, Edwina (2015) Creative Transition. What might the 21st century art school become? In: College Art Association (CAA) New York Conference, 11-14 February 2015, New York. Item not available online.

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fitzPatrick, Edwina (2014) Artists' geographies of the landscape archive. LAP Lambert Academic Publishing. ISBN 978-3659664595

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Fairnington, Mark (2014) of People. [Show/Exhibition]

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fitzPatrick, Edwina (2014) Practising in Uncertainty Colloquium. In: Practising in Uncertainty Colloquium, 6 May 2014, Glasgow School of Arts and Chelsea College of Arts.

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Fairman, Elisabeth and Hogan, Eileen and Salter, Rebecca (2014) Of Green Leaf, Bird, and Flower: Artists' Books and the Natural World. Yale University Press, New Haven. ISBN 9780300204247

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fitzPatrick, Edwina (2014) Translocation and Witness in the Anthropocene Age. Bright Light (1). pp. 21-32. ISSN 2055-1606

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fitzPatrick, Edwina (2014) Artists’ geographies of the landscape-archive: trace, loss and the impulse to preserve in the Anthropocene Age. PhD thesis, Glasgow School of Art.

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fitzPatrick, Edwina (2014) Lost and Found. [Show/Exhibition]

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fitzPatrick, Edwina (2014) The Woods for the Trees: The tree farm and the wilderness years. [Show/Exhibition]

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Faure Walker, James (2013) Foreword, in 'Perceptions of Knowledge Visualization: Explaining Concepts through Meaningful Images'. In: Perceptions of Knowledge Visualization: Explaining Concepts through Meaningful Images. Idea Group, IGI Global, USA. ISBN 1466647035

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fitzPatrick, Edwina (2013) Arboreal Laboratory. [Show/Exhibition]

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Fairnington, Mark (2013) The Nature of the Beast. [Show/Exhibition]

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Fairnington, Mark (2013) Our Creatures. [Show/Exhibition]

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fitzPatrick, Edwina (2013) Into the Unknown: Navigating Spaces, Terra Incognita and the Art Archive. eSharp, 20 (Spring).

Farley, Peter and Hirvikoski, Reija and Cohen, Aby (2013) World Stage Design. [Show/Exhibition] Item not available online.

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Faure Walker, James (2012) Biscuit dreaming. [Art/Design Item]

Farley, Peter (2012) Transformation & Revelation: From Gormley to Gaga: UK Design for Performance 2007-2011. [Show/Exhibition] Item not available online.

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Fairnington, Mark (2012) Unnatural history. [Show/Exhibition]

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Fairnington, Mark (2012) Bulls and Flora. [Art/Design Item]

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Fairnington, Mark (2011) 40 Artists - 80 Drawings. [Show/Exhibition]

Farley, Peter (2011) Transformation & Revelation: UK Design for Performance 2007-2011. [Show/Exhibition] Item not available online.

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Fairnington, Mark (2011) Flora. [Show/Exhibition]

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fitzPatrick, Edwina (2011) Restless nature. [Art/Design Item]

Fer, Briony and Baddeley, Oriana, TrAIN Research Centre (2011) TrAIN open lecture: Gabriel Orozco: Mobile Work. In: TrAIN Open Lecture, 9th March 2011, Chelsea College of Art and Design. (Unpublished) Item not available online.

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Fairnington, Mark and Schad, Robert and Roeth, Winston (2010) Miscellaneous. [Show/Exhibition]

Fairnington, Mark (2010) The moment of privacy has passed. [Show/Exhibition] Item not available online.

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Fryer, Nic (2010) From reproduction to creativity and the aesthetic: towards an ontological approach to the assessment of devised performance. Research in Drama Education: The Journal of Applied Theatre and Performance, 15 (4). pp. 547-562. ISSN 1470-112X

Fairnington, Mark (2010) Now and then. [Show/Exhibition] Item not available online.

Fairnington, Mark (2010) Blood tears faith doubt: historical and contemporary encounters. [Show/Exhibition] Item not available online.

Fairnington, Mark (2010) Profusion. [Show/Exhibition] Item not available online.

Fairnington, Mark (2010) Bull market. [Show/Exhibition] Item not available online.

Fairnington, Mark (2010) 21. [Show/Exhibition] Item not available online.

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Fairnington, Mark (2010) Blood tears faith doubt. [Show/Exhibition]

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Fairnington, Mark (2010) Profusion. [Show/Exhibition]

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Fortnum, Rebecca and Houghton, Nicholas and Sims, Ellen (2009) What is meant and what is understood: written summative assessment feedback within the fine art subject area. Project Report. University of the Arts London, London, UK.

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Fry, Christopher James (2008) Perceiving Experience: Accounting for the role of the audience in the construction of pervasive and locative artworks. PhD thesis, University of the Arts London. Item availability restricted.

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fitzPatrick, Edwina (2008) An Orchid Collection. [Show/Exhibition]

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Fairnington, Mark (2008) Darwin's Canopy. [Show/Exhibition]

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Fairnington, Mark (2008) A Duck for Mr. Darwin: Evolutionary Thinking and the Theory of Natural Selection. [Show/Exhibition]

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Fairnington, Mark (2008) Paintings of eyes in A Duck for Mr. Darwin: Evolutionary Thinking & the Struggle to Exist. [Art/Design Item]

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fitzPatrick, Edwina (2007) The Art of Living. [Art/Design Item]

Furlong, William (2007) Audio Arts at Tate: Retrospective solo exhibition. [Show/Exhibition] Item not available online.

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Fox, Nick (2007) 'Parlour', selected for Jerwood Contemporary Painters exhibition. [Show/Exhibition]

Furlong, William (2006) William Furlong Audio Arts: extraction, construction, abstraction. [Show/Exhibition] Item not available online.

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Fairnington, Mark (2006) The Raft. [Show/Exhibition]

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Fratzeskou, Eugenia (2006) Visualising Boolean set operations: Real and virtual boundaries in contemporary site-specific art. PhD thesis, University of the Arts London. Item availability restricted.

Farley, Peter and Sonnabend, Yolanda (2005) Requiem; My Brother, My Sisters. [Art/Design Item] Item not available online.

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Fairnington, Mark (2005) Blumenstück Künstlers Glück (Part of a Flower is an Artist's Luck). [Show/Exhibition]

Fox, Nick (2005) Nick Fox: New Paintings and Unveiled. [Show/Exhibition] Item not available online.

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Fairnington, Mark (2004) Fabulous Beasts. [Show/Exhibition]

Furlong, William (2004) Acts of Inscribing. [Show/Exhibition] Item not available online.

Furlong, William (2002) To Hear Yourself as Others Hear You. [Show/Exhibition] Item not available online.

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Fairnington, Mark and McGavin, George (2002) Dead or Alive. [Show/Exhibition]

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Goldwater, Helena (2018) Nature Morte. [Show/Exhibition]

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Goldwater, Helena (2018) gut flora. [Show/Exhibition]

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Georgaki, Maria (2016) Pedagogies of ‘Good Design’ and Handling in Relation to the I.L.E.A./Camberwell Collection. PhD thesis, University of the Arts London.

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Guest, Freya and Pratt, Katie (2014) Artist of the Day: Freya Guest. [Show/Exhibition]

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Gordon, Alastair John and Evans, Geraint (2013) Danish Departed. [Show/Exhibition]

Garfield, Rachel (2013) Playing with History: Jewish Subjectivity in Contemporary Lens Based Art. In: Routledge Handbook of Contemporary Jewish Culture in Britian. Routledge, London. Item not available online.

Glennon, P. (2012) Internet Art. The Soundtrack, 5 (1). pp. 73-112. ISSN ISSN-1751-4193 Item not available online.

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Grennan, Simon (2011) Comic strips and the making of meaning: emotion, intersubjectivity and narrative drawing. PhD thesis, University of the Arts London.

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Garfield, Rachel (2011) Putting the cosmopolitan to work: experimental film and video. In: Cosmopolitanism as a Creative Practice, 11th May 2011, Manchester Metropolitan University. (Unpublished)

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Garfield, Rachel (2011) Fraternise. [Show/Exhibition]

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Garfield, Rachel (2011) Samvaad 1: video screenings. [Show/Exhibition]

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Gravestock, Hannah (2011) Drawing and re-drawing: Working with the physicality of the performing body in costume design. PhD thesis, University of the Arts London, University of Surrey.

Gallagher, Ellen and Barson, Tanya and Baddeley, Oriana, TrAIN Research Centre, The Drawing Room (2011) Ellen Gallagher in conversation with Tanya Barson. In: Travelling Lines: Drawing as an Itinerant Practice, 22nd - 23rd September 2011, Chelsea College of Art and Design. (Unpublished) Item not available online.

Guerrero, Inti and Baddeley, Oriana, TrAIN Research Centre (2011) TrAIN open lecture: Flavio de Carvalho and his ‘city for the naked man’. In: TrAIN Open Lecture, 9th February 2011, Chelsea College of Art and Design. (Unpublished) Item not available online.

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Glinkowski, Paul (2008) CLIP/CETL Fellowship Report 2007/8: Maximising the MA Show. Technical Report. University of the Arts London.

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Glinkowski, Paul and Bugg, Roderick (2007) Good Foundations: Trusts & Foundations and the Arts in the United Kingdom. Laurence King. ISBN 978-1856695596

Gooding, Mel (2006) Herman de Vries: chance and change. Thames and Hudson. ISBN 978-0500093276 Item not available online.

Gooding, Mel (2006) John Hoyland. Thames and Hudson. ISBN 978-0500093306 Item not available online.

Glinkowski, Paul (2005) National Studios Forum and associated conferences. In: National Studios Forum. Item not available online.

Glinkowski, Paul and Jones, Susan (2005) Future Forecast: future space, addressing future roles and functions of artists' workspace. a-n. Item not available online.

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Glinkowski, Paul and Johnson, Gill and Pfrommer, Pam and Stewart, Sue and Fenn, Clare and Skelton, Adrienne and Joy, Alan (2004) New audiences for the arts: The New Audiences Programme 1998-2003 Executive summary. Project Report. Arts Council England.

Gooding, Mel (2002) Ceri Richards: a curated exhibition. [Show/Exhibition] Item not available online.

Gooding, Mel (2001) Abstract Art (Movements in Modern Art Series). Tate Publishing. ISBN 1854373021 Item not available online.

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Hibbett, Mark (2024) Periodizing 'The Marvel Age' Using The Production Of Culture Approach. In: Comics | Histories: Texts, Methods, Resources. Rombach. ISBN 978-3-98858-055-9

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Hibbett, Mark (2024) The Three Generations Of Dennis The Menace. Journal of Graphic Novels and Comics. ISSN 2150-4865

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Hibbett, Mark (2024) The Adventures Of Administrator-who-is-also-a-Researcher. In: Association of Research Managers & Administrators, 18-19 June 2024, Brighton, UK.

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Hibbett, Mark (2024) Doom's Data: Tracking a Transmedia Supervillain Through Data. In: Superheroes and Digital Perspectives: Super Data. Lexington Books, Maryland, USA, pp. 121-137. ISBN 9781666952193

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Hibbett, Mark (2024) Why aren’t we talking about the Beano? Journal of Graphic Novels and Comics. ISSN 2150-4865

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Hibbett, Mark (2024) Data and Doctor Doom: An Empirical Approach To Transmedia Characters. Palgrave Studies in Comics and Graphic Novel . Palgrave Macmillan, Cham. ISBN 978-3-031-45172-0

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Hibbett, Mark (2023) Three Generations Of Dennis The Menace: How Gok Wan created a new storyworld superpower. In: Comics Forum 2023, 9-10 November 2023, Leeds, United Kingdom.

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Hibbett, Mark (2022) What's wrong with Doctor Doom winning? In: The 2022 International Graphic Novel and Comics Conference, 29 June - 1 July, Lexicon Library and Cultural Centre, Dún Laoghaire, Ireland.

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Hardie, Sarah (2021) Spring Sometimes Rises In Me Too. [Art/Design Item]

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Hardie, Sarah (2021) Spring Sometimes Rises In Me Too (Script). [Art/Design Item]

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Hibbett, Mark (2020) UAL's experience of RDM in the Arts: what worked and what didn’t. In: RDM and Data Sharing/Openness in The Arts, 3 June 2020.

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Hodes, Charlotte (2020) Drawing, the Performative Body and the Object. In: Drawing, the Performative Body and the Object, a symposium at London College of Fashion, UAL, 11 March 2020, Lime Grove, London College of Fashion.

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Hibbett, Mark (2019) Making Elements 'UAL-y'. In: Symplectic European User Conference 2019, 2 - 3 July 2019, LIverpool, United Kingdom.

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Hogan, Eileen (2019) Eileen Hogan: Personal Geographies. [Show/Exhibition]

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Hibbett, Mark (2018) Solutions Architecture About Dancing: RDM tools in Arts Research. In: Higher Education Archive Programme Network Meeting, 22 June 2018, London, United Kingdom.

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Hibbett, Mark (2018) VHS to VR: Challenges for data management in the Arts. In: Future-proofing Digital Preservation for Research Data, 31 May 2018, Bristol, United Kingdom.

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Hardie, Sarah and Sheen, Jack and Drennan, Eleesha (2017) before sleep at the end of love (description of a lullaby). [Performance]

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Hogan, Eileen (2017) Artist-Not-In-Residence. [Show/Exhibition]

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Hogan, Eileen (2017) Interview with Eileen Hogan about Portraiture.

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Hardie, Sarah and Sheen, Jack and Drennan, Eleesha (2016) before sleep at the end of love (description of a lullaby). [Show/Exhibition]

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Hogan, Eileen (2015) Edges and Enclosures (exhibition). [Show/Exhibition]

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Hogan, Eileen and Baron, Wendy (2015) Edges and Enclosures (catalogue). Browse & Darby, London. ISBN 978-0-9533862-4-6

Hackett, Jane and Hammond, Abigail (2015) Costume Design for 'Riot Offspring', a Sadler's Wells Production. [Show/Exhibition] Item not available online.

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Hogan, Eileen (2015) The Last of The Tide: Portraits of D-Day veterans. [Show/Exhibition]

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Hackett, Jane and Vardimon, Jasmin and Hammond, Abigail (2015) Make/Believe: UK Design for Performance 2011-2015. [Show/Exhibition]

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Hogan, Eileen (2015) Self-portrait in Pembroke Studios. [Show/Exhibition]

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Hogan, Eileen (2015) Self-portrait in Pembroke Studios. [Art/Design Item]

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Hammond, Abigail (2014) Costumes for Jasmin Vardimon Company's Park. [Art/Design Item]

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Hogan, Eileen (2014) Tate Masterclass: Life Drawing with Eileen Hogan. [Show/Exhibition]

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Hogan, Eileen (2014) "Of Green Leaf, Bird and Flower": Artists' Books and the Natural World. [Show/Exhibition]

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Hogan, Eileen (2014) Eileen Hogan at Little Sparta. [Show/Exhibition]

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Hogan, Eileen (2014) Ian Hamilton Finlay. [Art/Design Item]

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Hogan, Eileen (2013) Vacant Possession. [Art/Design Item]

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Hogan, Eileen and Gooding, Mel and Spalding, Frances and Westley, Hester and Courtney, Cathy (2013) Bountiful UL 238, Sweet Promise FH 172, Golden Gain FR59: Paintings and Drawings by Eileen Hogan. The Fleming Wyfold Art Foundation, London. ISBN 9780957069008

Hogan, Eileen (2013) A Narrated Portrait. Item not available online.

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Hogan, Eileen and Stocking, Michael and Courtney, Cathy and Webb-Ingall, Edward (2013) A Narrated Portrait. [Art/Design Item]

Hogan, Eileen and Collins, Jane (2011) Geographies of Collections: re:SEARCHING: playing in the archive. In: RGS - IGB International Conference, 31 Aug - 02 September 2011, London, UK. (Unpublished) Item not available online.

Harris, Dereck (2011) Interview with Q-Art. In: 11 Course Leaders: 20 Questions. Q-ART London, London, UK. Item not available online.

Hammond, Abigail (2011) Am I a dance artist? Dance UK Website. Item not available online.

Hammond, Abigail (2011) State of emergency: desert crossings. [Art/Design Item] Item not available online.

Harris, Dereck (2011) Time-stretch drawings. [Show/Exhibition] Item not available online.

Harris, Dereck (2011) Timesnap. [Show/Exhibition] Item not available online.

Hammond, Abigail (2011) Transformation and revelation: UK design for performance 2007-2011. [Show/Exhibition] Item not available online.

Harris, Dereck (2010) St. Joseph’s Hospice auction. [Show/Exhibition] Item not available online.

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Hannah, Dorita (2010) Craig’s space-in-‘motion’. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V & A Museum, London. (Unpublished)

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Hogan, Eileen (2010) Narrative portraits: structured elegance: bookbindings and jewellery by Romilly Saumarez Smith. [Show/Exhibition]

Harris, Dereck and Rowles, Sarah and Bickers, Patricia and Throp, Mo and Timberlake, John, Q Art (2010) 8 course leaders 20 questions. In: Course Leader Handbook. Q-ART London, London, UK, pp. 13-24. Item not available online.

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Harris, Dereck, Paintclub: UAL Research Network (2010) Look club. In: Look Club 1: Phillip Allen and Martin Holman, 20 May 2010, London, UK. (Unpublished)

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Hogan, Eileen (2010) Use and interpretation of archives – finance: the Baring Archive: Use and interpretation of archives: banking: the currency of art. [Show/Exhibition]

Hogan, Eileen (2010) Use and Interpretation of archives – theatre: Jocelyn Herbert archive. Item not available online.

Hammond, Abigail (2010) Costume design in contemporary dance – a unique approach to dressing the body. In: Endyesthai, April 2010, Hellenic Costume Society, Athens. (Unpublished) Item not available online.

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Holroyd, Michael (2010) Craig: the forgotten modernist. In: Edward Gordon Craig: His Legacy, 25/09/2010, Sackler Centre, V & A museum, London. (Unpublished)

Hammond, Abigail (2010) Production 7734. [Art/Design Item] Item not available online.

Heathcott, Joseph and Baddeley, Oriana, TrAIN Research Centre (2010) TrAIN open lecture: the known city. In: TrAIN Open Lecture, 1st December 2010, Chelsea College of Art and Design. (Unpublished) Item not available online.

Hudson, Richard (2007) The Emperor Jones. [Art/Design Item] Item not available online.

Hatt, Christine (2007) Two works selected for the Jerwood Drawing Prize 2007. [Show/Exhibition] Item not available online.

Hogan, Eileen (2007) Ian Hamilton Finlay, 1997-2006. [Art/Design Item] Item not available online.

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Hogan, Eileen (2007) The Poetry Box. [Art/Design Item]

Hogan, Eileen (2006) Four Squares. [Art/Design Item] Item not available online.

Hogan, Eileen (2006) Re:INVENTING and Re:MAKING. [Art/Design Item] Item not available online.

Hudson, Richard (2006) The Makropoulous case. [Art/Design Item] Item not available online.

Hammond, Abigail (2006) Bophelo: costume design for four dance works. [Art/Design Item] Item not available online.

Houghton, Nicholas and MacIntosh, Steve (2005) Disengagement from secondary education: a story retold. Project Report. Learning and Skills Development Agency, London. Item not available online.

Hammond, Abigail (2005) Soul Inspired. [Show/Exhibition] Item not available online.

Hudson, Richard (2005) Wagner's ring cycle. [Art/Design Item] Item not available online.

Hatt, Christine (2004) No Escape. [Show/Exhibition] Item not available online.

Huber, Catrin (2002) Situative raumzeichnug malerei/site-specific drawing-painting. [Show/Exhibition] Item not available online.

Hatt, Christine (2002) Going Continental: group exhibition in Vienna. [Show/Exhibition] Item not available online.

Houghton, Nicholas and Mason, Rachel (2002) The educational value of making. In: Issues in Design and Technology Teaching. Routledge, London, pp. 43-66. ISBN 0415216869 Item not available online.

Huber, Catrin (2001) Retour de Paris. [Show/Exhibition] Item not available online.

Hudson, Richard (2001) Tamerlano. [Art/Design Item] Item not available online.

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Hibbett, Mark (0014) When the world catches up with science-fiction: Doctor Doom and the missing view screens. In: The Superhero Project 8, 13-15 September 2024, Eastbourne, UK.

I

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Ingham, Mark and Martin, Jonathan and Vicente Richards, Ana (2022) 24hrs ON EARTH; We Are All Over The World ‘Learning to learn about racial, social and environmental (in)justice’. Project Report. Experimental Pedagogies Research Group, LCC.

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Ingham, Mark and Martin, Jonathan and Vicente Richards, Ana and Beckett, Lynda and Zimmerman, Andrea Luka and Davis-Bonnick, Claudette and Rouse, Louise and Connolly, Crona and O’Reilly, John and Maxwell, Jenny and Kludje, Sicgmone and Arboine, Jheni and Leigh Ross, Stacey and Sadowska, Noemi and Arzani, Elena and Jewell, Jonathan D.A. and Kearney, Jonathan and Wright, Jonathan and Wright, Mark Peter and , Experimental Pedagogies Research Group (2022) 24hrs ON EARTH: ‘Learning to learn about racial, social and environmental (in)justice’. In: 24hrs ON EARTH ‘Learning to learn about racial, social and environmental (in)justice’, 29-30 March 2022, Online.

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Ingham, Mark and Martin, Jonathan and Ortolani, Sara and Vincente Richards, Ana, Experimental Pedagogies Research Group (2021) Bodies without Organs: Experimenting in the Gaps and Fissures of our Actively Blended Pedagogically World. In: UAL Education Conference 2021, 6-7 July 2021, Online.

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Ingham, Mark (2019) Digital Cartography in Smooth and Nomadic Spaces: A Fabulation. In: University of the Arts London Digital Edge, 24 June 2019, Somerset House, London.

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Ian, Monroe, Studio L (2018) 2018 Laskey Charrette, Sam Fox School, Washington University in St Louis. In: The World Needs A New Network, January 25-29, 2108, Washington University in St Louis.

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  • + 4 others
Ingham, Mark (2012) From Wish You Where Here? to GAMSWEN and onto Designed Dissertations: Connecting the design studio with writing in design. Journal of Writing in Creative Practice, 5 (2). pp. 301-318. ISSN 17535190

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Ingham, Mark (2012) 120 päivää ja yötä hoipertelua + änkytystä (120 Days and Nights Of STAGGERING + STAMMERING). ADDICTION — RIIPUVUUS/HESA INPRINT, 1 (14). pp. 19-23. ISSN 1799-8549 (printed) 1799-8557 (Online)

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Ingham, Mark (2012) 120 Days + Nights of Staggering and Stammering (Let's Make Love). [Art/Design Item]

Ingham, Mark (2011) New Paradigms in Pedagogical Thinking for the Academy of the Very Near Future, or how the Wasp Became the Orchid. In: The Swedish Twitter University: Mind-blowing Ideas in 25 Tweets, 22.12.2011, The Swedish Twitter University (Online). Item not available online.

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Ingham, Mark and Baseman, Jordan and Newth, Martin and Wainwright, Chris (2011) SCOPE New Photographic Practices. [Show/Exhibition]

Ingham, Mark (2010) "Never judge a book by its movie.". In: Inspiring Learners: Equipping the Next Generation of Graduates, 06.07.2010, University of Greenwich. Item not available online.

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Ingham, Mark (2008) Ars Magna Lucis et Umbrae (120 Days and Nights of Staggering and Stammering). [Show/Exhibition]

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Ingham, Mark and Beech, Amanda and Poole, Matthew and Joseph-Lester, Jaspar and Marshall, Mike and Henry, Julie and Jones, Alison and Kulkarni, Nayan and Miranda Bilbao, Jasone and Perry, Giles (2005) Episode. [Show/Exhibition]

Ingham, Mark (2005) Episode: an exhibition of new lens-based work by 9 London-based artists. [Show/Exhibition] Item not available online.

Ireland, James (2005) This is a test. [Show/Exhibition] Item not available online.

Ireland, James (2004) Into my world: recent British sculpture. [Show/Exhibition] Item not available online.

Ireland, James (2003) All of the known Universe. [Art/Design Item] Item not available online.

Ireland, James (2002) Viewfinder. [Show/Exhibition] Item not available online.

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Jump, Sophie (2020) One hundred and ninety-two thousand, two hundred and forty-eight steps: curating the Site Specific Performance Festival at PQ 2019. Theatre and Performance Design, 6 (1-2). pp. 69-80. ISSN 2332-2551

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Jump, Sophie (2019) The Role of the Theatre Designer.

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Jackson, John (2016) Digital Feedback in an Art and Design University. In: 2016 SOLSTICE and CLT Conference - A celebration of Learning and Teaching, 9-10 June 2016, Edge Hill University, Ormskirk, UK.

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Jackson, John (2016) Exploring Online Teaching Spaces in an Art and Design Environment. In: 2016 SOLSTICE and CLT Conference - A celebration of Learning and Teaching, 9-10 June 2016, Edge Hill University, Ormskirk, UK.

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Jump, Sophie V. (2016) The convergence of influences on and evolving praxis of mid-twentieth century British theatre design (1935-1965) through a close study of selected works by Motley and Jocelyn Herbert. PhD thesis, University of the Arts London.

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Jackson, John (2014) Online Assessment Feedback - Revisited. In: 2014 SOLSTICE eLearning & CLT Conference Learning & Teaching in Higher Education: Effective Practices, 5-6 June 2014, Edge Hill University, Ormskirk, UK.

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Jackson, John and Griffith, Marc (2012) Exploring, understanding and addressing the appetite for change. In: ALT-C 2012 – a confrontation with reality, 11-13 September 2012, University of Manchester, UK.

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Jackson, John and Kelly, Mike (2012) The Growth of a Blogging Community for Teaching and Learning at University of the Arts London. In: SOLSTICE & CLTR 2012 - Enhancing Learning, Teaching and Student Success, 13-14 June 2012, Edge Hill University, Ormskirk, UK.

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Jackson, John (2012) Improving Feedback - the development of an online assessment tool. In: SOLSTICE & CLTR 2012 - Enhancing Learning, Teaching and Student Success, 13-14 June 2012, Edge Hill University, Ormskirk, UK.

Jackson, Melanie (2007) The Undesirables. [Art/Design Item] Item not available online.

Jackson, Melanie (2006) A global positioning system. [Art/Design Item] Item not available online.

Jackson, Melanie (2005) Made in China. [Art/Design Item] Item not available online.

Jackson, Melanie (2003) Some things you are not allowed to send around the world. [Show/Exhibition] Item not available online.

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Kear, Adrian (2024) Acting Politically: Making performance in the eye of history. In: Theatre, activism, subjectivity: Searching for the Left in a fragmented world. Manchester University Press, Manchester. ISBN 978-1-5261-7856-5

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Kear, Adrian (2024) Theatre against itself: performance, politics and the limits of theatricality. In: Theatricality and the Arts: Film, Art, Theatre. Edinburgh University Press, Edinburgh, pp. 125-142. ISBN 9781399511650 Item availability restricted.

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Kear, Adrian (2023) A Different Hunger: World spectatorship and the violence of representation. Performance Research: A Journal of the Performing Arts, 28 (7). pp. 131-142. ISSN 1469 9990

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Komporaly, Jozefina (2023) Hungary. In: The Routledge Companion to Contemporary European Theatre and Performance. Routledge, London, pp. 109-115. ISBN 9781350214316

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Komporaly, Jozefina (2023) Romania. In: The Routledge Companion to Contemporary European Theatre and Performance. Routledge, London, pp. 209-215. ISBN 9780367535919

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Kear, Adrian (2022) In Memoriam: Professor Mike Pearson. Theatre and Performance Design, 8 (1-2). pp. 142-148. ISSN 2332-2551

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Kear, Adrian (2021) Authenticity/Theatricality: World spectatorship and the drama of the image. In: The Oxford Handbook of Politics and Performance. Oxford University Press, Oxford.

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Komporaly, Jozefina (2021) Decomposed Theatre. [Performance]

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Kear, Adrian (2021) Staging the People: Performance, presence and representation. In: Ranciere and Performance. Performance Philosophy . Rowman and Littlefield, Maryland, pp. 81-100. ISBN 978-1-5381-4658-3

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Komporaly, Jozefina and Visniec, Matéi and Visky, Andras and Panainte, Mihaela and Dragan, Mihaela and Dragoman, Gyorgy and Muller, Herta (2021) Plays from Romania: Dramaturgies of Subversion. Drama and Performance Studies . Bloomsbury, London. ISBN 9781350214316

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Komporaly, Jozefina (2020) Re-Routing Hamlet: From the Canon to Consumer Culture. In: Adapting the Canon: Mediation, Visualization, Interpretation. Legenda, Oxford, pp. 182-196. ISBN 978-1-781887-08-0

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Komporaly, Jozefina (2020) András Visky & Matéi Visniec: Challenging boundaries of cultural specificity. In: Contemporary European Playwrights. Routledge, pp. 76-94. ISBN 9781315111940

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Kear, Adrian (2020) Alain Platel and The Scene of Seduction. In: The Choreopolitics of Alain Platel's Ballets C de la B: Emotions, Gestures, Politics. Dance in Dialogue . Bloomsbury Methuen Drama, London, pp. 86-99. ISBN 9781350080027

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Kear, Adrian (2019) How Does Theatre Think Through Theatricality? In: Thinking Through Theatre and Performance. Methuen Bloomsbury, London. ISBN 9781472579614

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Kear, Adrian (2019) Thinking Through Theatre and Performance. Thinking Through Theatre . Methuen Bloomsbury, London. ISBN 9781472579607

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Komporaly, Jozefina (2019) Zilele Teatrului Matei Vişniec/Festival of the Matéi Visniec Theatre in Suceava (Romania), Or Breaking into the Festival Circuit. The Theatre Times.

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Komporaly, Jozefina (2019) Open Dramaturgy and Collaboration in András Visky’s Theatre in English Translation. Hungarian Literature Online.

Komporaly, Jozefina and Cinpoes, Nicoleta (2018) The Golden Round: Essays on the Politics of Power in Shakespeare. Item not available online.

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Komporaly, Jozefina (2017) Radical Revival as Adaptation: Theatre, Politics, Society. Adaptation in Theatre and Performance . Palgrave Macmillan, London. ISBN 978-1-137-48101-6

Kovats, Tania (2017) Bleached. [Art/Design Item] Item not available online.

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Kovats, Tania (2017) All the Canals (10l). [Art/Design Item]

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Kovats, Tania (2017) All the Islands of All the Seas 2016. [Art/Design Item]

Kovats, Tania (2017) All the Canals. [Art/Design Item] Item not available online.

Komporaly, Jozefina (2017) The Ghosts of History Redux: Intertextuality, Rewriting, Adaptation. In: Subversive Stages: Theatre in Pre- and Post-communist Hungary, Romania and Bulgaria. Central European University Press, Budapest and New York, ix-xx. ISBN 978-963-386-116-5 Item not available online.

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Kambalu, Samson (2016) Nyau Philosophy: Contemporary Art and the Problematic of the Gift – a Panegyric. PhD thesis, University of the Arts London.

Komporaly, Jozefina (2016) Making a Spectacle: Motherhood in Contemporary British Theatre and Performance. Theatre History Studies, 35 (1). pp. 161-178. ISSN 0733-2033 Item not available online.

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Kear, Adrian (2015) Restaging the Anxiety of the Image. Performance Research: A Journal of the Performing Arts, 20 (5). pp. 51-62. ISSN 13528165/14699990

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Komporaly, Jozefina (2015) Interferences International Theatre Festival, Cluj, Romania, 26 November-7 December 2014. Theatre Journal, 67 (3). pp. 550-554. ISSN 0192-2882

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Kirkwood, Lucy and Kendall, Alex and Moneo, Teresa and Macdonald, Andrew and Reich, Allon and Smith, Joanne and Yates, Eva and Butler, Alison and Bradley, Kerry (2015) The Briny. [Art/Design Item]

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Kear, Adrian (2015) Mourning. In: Vocabulary for the Study of Religion. Brill, Leiden. ISBN 978-9004290433

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Komporaly, Jozefina (2015) Staging History: Memory and Representation in the Theatre of Matéi Visniec and András Visky. In: Literatura, Teatrul si Filmul, in onoarea dramaturgului Matei Visniec. Ovidius University Press, Constanta, Romania. ISBN 978-973-614-855-2

Komporaly, Jozefina (2014) Showcase in Budapest. New Theatre Quarterly, 30 (4). pp. 391-396. ISSN 0266-464X Item not available online.

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Komporaly, Jozefina (2014) “Don’t you dare to vote with the Communists!”: Timeliness, Nostalgia and the Authenticity of Experience in I’m a Communist Biddy! Adaptation, 7 (2). ISSN 1755-0637

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Kovats, Tania (2014) Where Seas Meet. [Art/Design Item]

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  • + 9 others
Kantas, Vasileios (2014) Unfolding the act of photography. PhD thesis, University of the Arts London, University of Surrey.

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Kear, Adrian (2014) Consensus/Dissensus. In: Keywords, Concepts and Theories in Performance Studies. Palgrave, Basingstoke, pp. 164-173. ISBN 9780230247307

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Kovats, Tania (2014) Drawing Water. Fruitmarket.

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Komporaly, Jozefina (2014) Narratives of Belonging in Multilingual Performance: The Case Study of 20/20. Linguistica Antverpiensia, 13. pp. 30-44. ISSN 2295-5739

Kovats, Tania (2013) Oceans. [Show/Exhibition] Item not available online.

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Kear, Adrian (2013) Traces of Presence. In: International Politics and Performance: Critical Aesthetics and Creative Practice. Routledge, Abingdon, pp. 19-39. ISBN 9780415706230

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Kear, Adrian (2013) International Politics and Performance: Critical Aesthetics and Creative Practice. Interventions . Routledge, Abingdon. ISBN 9780415706230

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Kear, Adrian (2013) Theatre and Event: Staging the European Century. Studies in International Theatre and Performance . Palgrave, Basingstoke. ISBN 978-0-230-00808-3

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Kear, Adrian (2012) Thinking on your feet: Richard Maxwell’s Neutral Hero and the tragic impediment of contemporary theatre. Performance Research: A Journal of the Performing Arts, 17 (2). pp. 22-29. ISSN 13528165/14699990

Kippin, John and Wainwright, Chris (2012) Futureland Now. University of Plymouth Press, Plymouth, England. ISBN 9781841023236 Item not available online.

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Kear, Adrian (2011) Theatre, Ethics and the Labour of Mimesis. In: A Life of Ethics and Performance. Cambridge Scholars, Cambridge, pp. 87-114. ISBN 1443841781

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Kovats, Tania (2009) TREE. [Art/Design Item]

Kear, Adrian (2008) Intensities of Appearance. Performance Research: A Journal of the Performing Arts, 13 (4). pp. 16-24. ISSN 13528165/14699990 Item not available online.

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Kear, Adrian (2008) On Appearance. Performance Research, 13 (4). Routledge, London. ISBN 978-0-415-49442

Kovats, Tania (2007) Museum of The White Horse. [Show/Exhibition] Item not available online.

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Kear, Adrian (2006) The memory of promise: theatre and the ethic of the future. In: A Performance Cosmology: Testimony from the Future, Evidence from the Past. Routledge, London, pp. 148-151. ISBN 0415372585

Kovats, Tania (2006) All the Islands of all the Oceans. [Art/Design Item] Item not available online.

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Kear, Adrian (2006) Desire Amongst the Dodgems: Alain Platel and the Scene of Seduction. In: Contemporary Theatres in Europe. Routledge, London, pp. 106-119. ISBN 041532940X

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Kear, Adrian (2005) A Handbook of Theatrical Devices. Performance Research: A Journal of the Performing Arts, 10 (4). pp. 83-96. ISSN 13528165/14699990

Kear, Adrian (2005) The Anxiety of the Image. Parallax, 11 (3). pp. 107-116. ISSN 1353-4645 Item not available online.

Kear, Adrian (2005) Troublesome Amateurs: Theatre, Ethics and the Labour of Mimesis. Performance Research: A Journal of the Performing Arts, 10 (1). pp. 26-46. ISSN 13528165/14699990 Item not available online.

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Kovats, Tania and Darwent, Charles and MacFarlane, Kate and Stout, Katherine (2005) The Drawing Book. A survey of drawing: the primary means of expression. Black Dog Publishing. ISBN 1-904772-33-1

Kear, Adrian (2004) Thinking out of Time: Theatre and the Ethic of Interruption. Performance Research: A Journal of the Performing Arts, 9 (4). pp. 99-110. ISSN 13528165/14699990 Item not available online.

Kear, Adrian (2002) Seduction and Translation. Performance Research: A Journal of the Performing Arts, 7 (2). pp. 35-49. ISSN 13528165/14699990 Item not available online.

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Kear, Adrian (2001) Psychoanalysis and Performance. Routledge, London. ISBN 9780415212052

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Kear, Adrian (2001) Speak Whiteness: Staging ‘Race’, Performing Responsibility. In: Psychoanalysis and Performance. Routledge, London, pp. 192-202. ISBN 9780415212052

Kear, Adrian (2001) Parasites. Parallax, 7 (2). pp. 31-45. ISSN 1353-4645 Item not available online.

Kovats, Tania (2001) Basalt Series. [Art/Design Item] Item not available online.

Kear, Adrian and Kelleher, Joe (2000) The Wolf-Man. Performance Research: A Journal of the Performing Arts, 5 (2). pp. 82-91. ISSN 13528165/14699990 Item not available online.

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Kear, Adrian (1999) Diana Between Two Deaths: Spectral Ethics and the Time of Mourning. In: Mourning Diana: Nation, Culture and the Performance of Grief. Routledge, London, pp. 169-186. ISBN 9780415193931

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Kear, Adrian (1999) Mourning Diana: Nation, Culture and the Performance of Grief. Routledge, London. ISBN 9780415193931

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Kear, Adrian (1999) Cooking Time with Gertrude Stein. Performance Research: A Journal of the Performing Arts, 4 (1). pp. 44-55. ISSN 13528165/14699990

Kear, Adrian (1998) Between Two Deaths: Tragic Ideology and the Work of Mourning. JPCS: Journal for the Psychoanalysis of Culture and Society, 3 (1). pp. 131-136. Item not available online.

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Kear, Adrian (1997) Eating the Other: Performance and the Fantasy of Incorporation. In: Border Patrols: Policing the Boundaries of Heterosexuality. Cassells, London, pp. 253-273. ISBN 0304334790

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Littler, Jo and Tulloch, Carol (2022) ‘We haven’t got here just on our own. It’s a conversation’: An interview with Carol Tulloch. European Journal of Cultural Studies, 25 (5). ISSN 1367-5494

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Livergant, Elyssa (2020) The Call to Play: New Work and Labor at Artsadmin. Theatre Survey, 61 (2). pp. 252-271. ISSN 0040-5574

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Livergant, Elyssa (2019) Keeping up appearances: labour and exchange. In: Material. Siobhan Davies Dance, pp. 14-15. ISBN 978-0-9927974-3-0

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Livergant, Elyssa (2018) Limehouse Town Hall and the Living School. The Living School. pp. 54-65.

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Livergant, Elyssa, Precarious Workers Brigade (2017) Learning to stand together: Elyssa Livergant interviews Precarious Workers Brigade. Interventions Contemporary Theatre Review Online, 27 (2).

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  • + 3 others
Layzell, Richard (2017) The Korean Wave. [Show/Exhibition]

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  • + 6 others
Layzell, Richard (2017) Korea Town. [Art/Design Item]

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  • + 1 others
Layzell, Richard (2016) The Palamari Sauce Boat. [Show/Exhibition]

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  • + 1 others
Layzell, Richard (2016) Softly Softly 2 for Whitstable Biennale. [Show/Exhibition]

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Layzell, Richard (2016) Anton Lemski. [Show/Exhibition]

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Livergant, Elyssa (2016) Belarus Free Theatre, Labour Mobility and the Cultural Politics of the Border. Contemporary Theatre Review, 26 (2). pp. 241-257. ISSN 1477-2264

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Layzell, Richard (2016) It's Time for Da. [Art/Design Item]

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Layzell, Richard (2016) The Artist Hotel. [Show/Exhibition]

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  • + 3 others
Layzell, Richard (2015) Speaking Out. [Show/Exhibition]

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Layzell, Richard (2015) Softly Softly. [Show/Exhibition]

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Layzell, Richard (2015) WP. [Performance]

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  • + 7 others
Layzell, Richard (2015) WP - liu hua. [Show/Exhibition]

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Layzell, Richard (2015) Clear Stripes 2. [Performance]

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Layzell, Richard (2015) The Table is the Floor. Bright Light (2). pp. 29-34. ISSN 2055-1606

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Layzell, Richard (2015) An Unsentimental Education. In: AN UNSENTIMENTAL EDUCATION: ON BECOMING AN ARTIST, 3 February 2015, Sheffield Hallam University.

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Layzell, Richard (2014) Buona Notte. In: What role does professionalism have within the fine art curriculum?, 3 December 2014, Leeds College of Art.

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Layzell, Richard (2014) Clear Stripes. [Performance]

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Layzell, Richard (2014) Switch. [Show/Exhibition]

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Layzell, Richard and Parker, Janice (2014) Glory. [Show/Exhibition]

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Livergant, Elyssa (2009) A Kiss from the Last Red Squirrel. [Art/Design Item]

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Lee, Mindy (2008) Cough it up. [Art/Design Item]

Layzell, Richard (2007) Changing Space/Critical Space: Commission and Residency for Stroud Valleys Artspace. [Art/Design Item] Item not available online.

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Lee, Mindy (2007) Sumpter. [Art/Design Item]

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Lee, Mindy (2007) Untitled 2007. [Art/Design Item]

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Livergant, Elyssa (2005) Wapping: Audio. [Art/Design Item]

Layzell, Richard (2003) Eleanor's Falcon. [Performance] Item not available online.

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Mirzoyants, Anastasia and Eagle, Rob and Sewell, Hannah (2024) Impact Storytelling: the Ecosystem, the Evidence and Possible Futures. Other. AKO Storytelling Institute.

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Maloney, Peter and Beard, Sophie and Waller, Alyson (2024) Now Play This. [Show/Exhibition]

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Maloney, Peter (2021) The Domestic Imaginary. [Show/Exhibition]

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Mendelson, Zoë (2019) Loose Canon. In: Fully Awake 4.6. Teaching Painting at Manchester School of Art, Edinburgh College of Art, pp. 5-8.

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Mendelson, Zoë (2019) Excerpt from 'The Detroit Project'. CARTON, 1 (1). pp. 58-59. ISSN 2632-2730

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Mendelson, Zoë (2018) Ruin and Racoon-feeding: collages of constantly shifting temporal matter, from Merzbau to Grey Gardens. In: Beyond Pattern and Chaos, 5 September 2018, Norwich University of the Arts, Duke Street, Norwich.

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Mendelson, Zoë and Cardwell, Thomas and Evans, Geraint (2018) Painting as Technology. In: Teaching Painting: Painting the Now, 19 and 20 June 2018, Royal Academy of Arts.

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Mendelson, Zoë (2018) Hoard as Home, Clutter as Comfort. [Performance]

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Monroe, Ian (2018) In The Future. [Show/Exhibition]

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Maloney, Peter (2018) Film as Form: Deconstructed + Preconstructed 2018. [Art/Design Item]

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Maloney, Peter (2018) Film as Form: Kubricks Colour Space 2018. [Art/Design Item]

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Mendelson, Zoë (2017) Dirty Rearranger, shown in WORK WORK (exhibition). [Show/Exhibition]

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Monroe, Ian (2017) The Trouble with Shapes. In: Juan Bolivar High Voltage s. JGM Gallery, pp. 8-10. ISBN 978-1-9998458-0-3

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Monroe, Ian (2017) S.I.M. [Show/Exhibition]

Monroe, Ian (2017) The Artist and the Gallery: Finding a Way In. In: Surviving as an Artist, June 23rd, 2017, Colarts Griffin Gallery and Residency Programme, 21 Evesham Street, London. Item not available online.

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Mendelson, Zoë (2017) Spectacular Evidence: Theatres of the Observed Mind. In: Spectacular Evidence: Theatres of the Observed Mind, 24 March 2017, Artsadmin, Toynbee Studios, 28 Commercial Street, London E1 6AB.

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Maloney, Peter (2017) Virtual Histories. In: Virtualities Conference 1/4: Virtual Histories, 8 February 2017, Tate Modern, Tate Exchange, London, UK.

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Monroe, Ian (2016) The Ontology of Influence. [Show/Exhibition]

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Monroe, Ian (2016) Either Those Curtains. [Show/Exhibition]

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Mendelson, Zoë (2016) Wayfaring. [Show/Exhibition]

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Mendelson, Zoë (2015) Museum of the Unwanted. [Show/Exhibition]

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Moloney, Donal (2015) Slippages between the picture plane and the painting surface. An analysis, through my paintings, of specular highlights, proximal spaces and the Lacanian gaze. PhD thesis, University of the Arts London.

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McKenzie, Jordan (2015) The Council Estate as Artistic Medium and Practice: Doing Good or Do Gooders? In: The Council Estate as Artistic Medium and Practice: Doing Good or Do Gooders?, 28 May 2015, Canavan's Pool Club, 188 Rye Lane, Peckham, London, SE15 4NF.

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Monroe, Ian (2015) Out of the Darkness. [Show/Exhibition]

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Mendelson, Zoë (2015) Thinking through objects and entropy in Grey Gardens. In: Re-Collections - Films about the obsession to own, to keep, to collect, 11 April 2015, Barbican Centre, London.

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Mendelson, Zoë (2014) ikeagräm: a place where everyone. [Show/Exhibition]

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Mendelson, Zoë (2014) Psychologies and Spaces of Accumulation: The hoard as collagist methodology (and other stories). PhD thesis, University of the Arts London. Item availability restricted.

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Mendelson, Zoë (2014) Which Shelf for the Broken One? What the hoard can teach us about acts of gathering. In: Archives for the Future, 29 March 2014, University of Westminster.

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Mendelson, Zoë (2014) A Slip of Freuds: An evening of collective nouns and clutter. [Show/Exhibition]

Mendelson, Zoë (2014) 'Malleable Material'. In: The Art School: The Future for ‘Theory’?, 25 January 2014, Institute for Contemporary Arts, London. Item not available online.

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Mendelson, Zoë (2014) Appropriated Mishap. [Art/Design Item]

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Mendelson, Zoë (2013) This Mess is a Place: A Collapsible Anthology of Collections and Clutter. And Publishing, London, UK. ISBN 978-1-908452-40-5

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Mendelson, Zoë (2010) 1. Safecarder 2. Sleepdrawing 3. Viewfinder 4. Waking Archive. [Show/Exhibition]

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Maloney, Peter (2008) Film as Database: Visual Analysis of 2001: A Space Odyssey. In: New Views 2: Conversations and Dialogues in Graphic Design, 9-11 July 2008, London College of Communication.

Mac Namara, Aoife (2008) Botanical Research Terrace. In: Spaces Buildings Make. Framework Press, Great Britain, pp. 14-57. ISBN 9780955721212 Item not available online.

Mac Namara, Aoife (2008) Bungalow Blitz: On Art, Architecture & Curating. In: Informal Architectures: On Space & Contemporary Culture. Black Dog Publishing, London, pp. 56-71. ISBN 9781906155339 Item not available online.

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Maloney, Peter (2005) Analogue Visual Communication Centre. [Show/Exhibition]

Morris, Andrew and Houghton, Nicholas and Clarke, Colin and Lockhart, Ian (2004) Participation by 17 year olds: a systematic review of the factors that influence participation in the second year of post-compulsory education or training. Project Report. Learning and Skills Development Body, London. Item not available online.

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Maloney, Peter (2004) Real vs Ideal: Themed Tours of Bekonscot Model Village. [Show/Exhibition]

Marce, Marta (2004) International Artist Residency, Kunming, China. [Art/Design Item] Item not available online.

Marce, Marta (2003) New British Painting: Part I. [Show/Exhibition] Item not available online.

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Maloney, Peter (2002) Image Pool. [Show/Exhibition]

Marce, Marta (2001) Solo Exhibition - Use of Games. [Show/Exhibition] Item not available online.

Marce, Marta (2001) Rules versus Chance. [Art/Design Item] Item not available online.

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Maloney, Peter (1998) The Virtual Studio (Work in Progress) 1994-1998. In: ISEA98 Revolution, 2-7 September 1998, Liverpool Art School, Liverpool John Moores University, UK.

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Maloney, Peter (1997) The Virtual Studio (Work in Progress). [Show/Exhibition]

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Maloney, Peter (1997) FleshFactor - Informationsmaschine Mensch. [Show/Exhibition]

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Maloney, Peter (1997) Public Views 2: Artifice. [Show/Exhibition]

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Maloney, Peter and Atherton, Kevin (1996) Alnwick II. [Show/Exhibition]

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Maloney, Peter (1996) A Journey into the picture plane. In: EVA'96, 22-27 July 1996, The National Gallery, London.

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Maloney, Peter (1996) The Virtual Studio (Work in Progress). In: Building the Cybercity, 23 July 1996, Institute of Contemporary Arts.

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Maloney, Peter (1995) Virtual Reality and the Gallery. [Show/Exhibition]

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Maloney, Peter (1995) Virtua Sculpture. [Art/Design Item]

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Maloney, Peter (1994) Pebes World. In: The Cyberspace Lexicon: An illustrated Dictionary of Terms from Multimedia to Virtual Reality. Phaidon Press, London UK, p. 31. ISBN 0 7148 2826 2

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Maloney, Peter (1994) Sensoria. Artifice: Architecture, Film, Theory, Photography, Design, History, Art and Things, 01. pp. 88-89. ISSN 1357-0498

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New, Sophia and Belasco Rogers, Daniel (2021) All Our Journeys in Berlin 2007-2020 (Red Blue). [Art/Design Item]

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New, Sophia (2021) Transforming Personal Daily GPS Data Through Performances: Movement, Memory and Time. PhD thesis, University of Exeter.

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New, Sophia and Belasco Rogers, Daniel (2020) Together/Apart. [Performance]

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New, Sophia and Ciupke, Christina and Laitzsch, Juliane and Wortlekamp, Isa and Hahn, Daniela and Belasco Rogers, Daniel (2019) Expanding Choreography through Everyday Movement in the Work of plan b. In: 2019. Revolver, Berlin, pp. 114-135. ISBN 978-3-95763-461-0

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New, Sophia and Belasco Rogers, Daniel (2018) The Day the Books Took Off. [Performance]

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Noga, Laurence (2017) Deep Blue Filtered Silver. [Art/Design Item]

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New, Sophia and Belasco Rogers, Daniel (2017) The Last Hour. [Performance]

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Noga, Laurence (2015) 'Soft Red Filtered Green', 'Soft Black Filtered Red', 'Soft Green Filtered White', 'Inbetween Violet and Green'. In: From Centre. [Show/Exhibition]

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Noga, Laurence (2015) 'Borderline' (Beyond a Rational Aesthetic). [Show/Exhibition]

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Noga, Laurence and Morrisey, Patrick (2014) Patrick Morrisey's interview with Laurence Noga in May 2014. Saturation Point, 4 (3).

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Noga, Laurence (2014) That’s Not What. [Show/Exhibition]

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Noga, Laurence (2013) Crash Open Salon. [Show/Exhibition]

Newman, Avis (2006) With a Single Mark: display of drawings and related material selected from the Tate held at Tate Britain May 2005. [Art/Design Item] Item not available online.

Newman, Avis (2006) Documents: A series of 3 publications capturing the exchange of ideas and thoughts between young artists at an early stage in their development. Rijksadademie van beeldende kunsten. ISBN 90-78681-01-2 Item not available online.

Nobus, Dany and Quinn, Malcolm (2005) Knowing Nothing, Staying Stupid: Elements for a Psychoanalytic Epistemology. In: book. Routledge, London. ISBN 1583918671 Item not available online.

Newman, Avis (2003) Descriptions. [Show/Exhibition] Item not available online.

Newman, Avis (2003) The Stage of Drawing: gesture and act. [Show/Exhibition] Item not available online.

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O'Dair, Marcus and Fry, Andrew (2019) Beyond the black box in music streaming: the impact of recommendation systems upon artists. Popular Communication. ISSN 1540-5710

O'Dair, Marcus (2019) Distributed creativity: how blockchain technology will transform the creative economy. Palgrave Macmillan. ISBN 978-3-030-00189-6 Item not available online.

O'Dair, Marcus and Ito, Kensuke (2019) A critical examination of the application of blockchain technology for intellectual property management. In: Business Transformation Through Blockchain. Palgrave Macmillan, pp. 317-335. ISBN 978-3-319-99057-6 Item not available online.

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O'Dair, Marcus (2018) Mute Records: Artists, Business, History. Bloomsbury. ISBN 9781501340604

O'Dair, Marcus and Beaven, Zuleika (2017) Just go and do it: a blockchain technology “live project” for nascent music entrepreneurs. In: Punk Pedagogies: Music, Culture and Learning. Routledge. ISBN 978-1-138-279988-9 Item not available online.

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O'Dair, Marcus (2017) “Even the ghost was more than one person”: authorship and authorisation in I’m Not There. IASPM@Journal, 7 (1). ISSN 2079-3871

O'Dair, Marcus (2017) How Blockchain is Transforming the Creative Industries: Copyright and Rights Management in the Second Era of the Internet. Other. Blockchain Research Institute. Item not available online.

O'Dair, Marcus (2016) "Pardon me I’m very drunk": alcohol, creativity and performance anxiety in the case of Robert Wyatt. Popular Music, 35 (2). pp. 207-221. ISSN 1474-0095 Item not available online.

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O'Dair, Marcus (2016) The networked record industry: How blockchain technology could transform the consumption and monetisation of recorded music. Other. NEMODE.

O'Dair, Marcus (2016) Trouble with the neighbours: jazz, geopolitics and Finland’s totalitarian shadow. In: Jazz and Totalitarianism. Transnational Studies in Jazz . Taylor and Francis. ISBN 9781138887824 Item not available online.

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Orta, Lucy and Orta, Jorge (2015) Antarctica World Passport Delivery Bureau - COP21 Paris. [Art/Design Item]

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Orta, Lucy and Orta, Jorge (2015) Antarctica World Passport Delivery Bureau - Nansen Initiative Global Consultation, Geneva. [Art/Design Item]

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O'Dair, Marcus (2015) Collaborative, co-operative and collective business models in the ‘new’ music industries: a literature review. Other. NEMODE.

O'Dair, Marcus (2014) Different every time: the authorised biography of Robert Wyatt. Serpent’s Tail. ISBN 978-1846687594 Item not available online.

O'Connell, Douglas (2004) Lightwork: Here's What I Did with my Body One Day. [Art/Design Item] Item not available online.

O'Connell, Douglas and Morsh, Ragnhild A. (2004) InVertigo: An exploration of new methods of fusion between the mediated image and theatre narrative. [Performance] Item not available online.

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Pastor, Eugénie (2024) She Goat’s Révolution!: a lecture performance to change the (art) world. In: PSi #29 - Assemble!, 20-23 June 2024, Senate House, University of London. Item not available online.

Priest, Colin and Agarwalla, Ananya and Roshni, Bhagotra (2023) Dexterity in design education. Item not available online.

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Pastor, Eugénie and Turner, Shamira (2023) A Very Serious Performance Lecture. [Performance]

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Pastor, Eugénie (2022) Caring with, Voice and Under-Represented Expressions of Love in and through The Undefinable by She Goat: An Artist-Researcher's Perspective. In: Love and the Politics of Care: Methods, Pedagogies, Institutions. Bloomsbury Academic, pp. 107-126. ISBN 9781501387647

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Pastor, Eugénie, Little Bulb (2021) Wolf Witch Giant Fairy. [Performance]

Pastor, Eugénie (2021) Networked Performance: Politics of collaboration and online platforms: The Curious Hearts Song Club by She Goat. In: Changing Perspectives on Live Performance: Interrogating digital dimensions and new modes of engagement, 8-9 October 2021, Anglia Ruskin University, online. Item not available online.

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Priest, Colin and Taylor, Rachel Emily and Fusco, Leah and Cleverly, Jason and Maloney, Peter (2021) The Domestic Imaginary. [Show/Exhibition]

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Pastor, Eugénie and Turner, Shamira (2021) Curious Hearts Song Club. [Performance]

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Priest, Colin (2020) Breathing Machinery. [Art/Design Item]

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Pastor, Eugénie and Turner, Shamira (2019) The Undefinable. [Performance]

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  • + 4 others
Putnam, James (2019) ‘Transformer’, Rob & Nick Carter, Claude Lalanne, Vic Muniz, Gavin Turk. [Show/Exhibition]

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Putnam, James (2018) Through the Looking Glass. Cob Gallery, London.

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Pastor, Eugénie (2018) Jean Lambert-wild, ou la scène au-delà du visuel. European Drama and Performance Studies. pp. 81-97. ISSN 2266-9035

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Putnam, James (2018) 'Black Book' - Gideon Rubin. [Show/Exhibition]

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Peters, Charley (2018) A series of collaborative paintings made while Artist in Residence at Griffin Gallery, London, February-March 2018. [Art/Design Item]

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Pike, Simon and Peters, Charley and Monroe, Ian (2017) Sea of Data. [Show/Exhibition]

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Pace, Kim (2015) Birmingham Show. [Show/Exhibition]

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Pace, Kim (2014) LUX13 - How Does The Group Function? [Show/Exhibition]

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Pratt, Katie (2013) Bluixcity. [Art/Design Item]

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  • + 20 others
Peters, Charley (2013) In Occupation. [Show/Exhibition]

Pratt, Katie (2011) Working against the system. [Show/Exhibition] Item not available online.

Pratt, Katie (2011) Katie Pratt on Abstract Art Now. In: Abstract Critical: Abstract Art Now, 22 February 2011, Goldsmiths College, University of London. (Unpublished) Item not available online.

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  • + 21 others
Pavelka, Michael (2011) The Comedy of Errors. [Art/Design Item]

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  • + 10 others
Pavelka, Michael (2011) Off the Wall. [Show/Exhibition]

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  • + 20 others
Pavelka, Michael (2011) Richard III. [Performance]

Pratt, Katie (2010) Against Grids. [Show/Exhibition] Item not available online.

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  • + 11 others
Pavelka, Michael (2009) The Dark Side of Buffoon. [Art/Design Item]

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  • + 22 others
Pavelka, Michael (2009) The Good Soul of Szechuan. [Art/Design Item]

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Pavelka, Michael, Propeller Theatre Company (2009) 'The Merchant of Venice' by William Shakespeare. [Art/Design Item]

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Pavelka, Michael (2008) 'A Midsummer Night’s Dream' by William Shakespeare. [Art/Design Item]

Pilgrim, Geraldine (2007) Dreams of a Winter Night. [Performance] Item not available online.

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  • + 76 others
Pavelka, Michael (2007) Production design (set and costume) for I am Not What I am: 'The Taming of the Shrew' and 'Twelfth Night' by William Shakespeare. [Performance]

Pratt, Katie (2006) Lasker, Heron, Pratt: Exhibition juxtapositioning three painters from differing generations. [Show/Exhibition] Item not available online.

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  • + 22 others
Pavelka, Michael (2006) Revelations. [Art/Design Item]

Pilgrim, Geraldine (2005) Deep End. [Performance] Item not available online.

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  • + 32 others
Pavelka, Michael (2003) Rose Rage: Production Design - Set and Costume. [Performance]

Pilgrim, Geraldine (2003) Spa: Site-Specific Performance. [Performance] Item not available online.

Potter, Rosie and Ayre, Patricia (2003) Für das Kind. [Show/Exhibition] Item not available online.

Pratt, Katie (2002) Pell Mell. [Show/Exhibition] Item not available online.

Pratt, Katie (2001) Jerwood Painting Prize 2001. [Show/Exhibition] Item not available online.

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Quinn, Malcolm (2022) Psychoanalysis and radical philistinism in the museum. Psychoanalysis, Culture and Society, 27 (1). pp. 20-36. ISSN 1088-0763

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Quinn, Malcolm (2021) Bentham on Utility and Cultural Value. Revue d’études benthamiennes (20). ISSN 1760-7507

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Quinn, Malcolm (2020) Enlightenment Unrefined: Bentham’s realism and the analysis of Beauty. In: Bentham and the Arts. UCL Press, London, pp. 201-226. ISBN 9781787357365

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Quinn, Malcolm (2019) Guilty Pleasures Taste, Design, and Democracy. In: A Companion to Contemporary Design since 1945. Wiley, London, pp. 457-478. ISBN 978-1-119-11118-4

Quinn, Malcolm (2018) Introduction: Taste, Hierarchy and Social Value after Bourdieu. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. CRESC . Routledge, London, pp. 1-18. ISBN ISBN-10: 9781138670983 ISBN-13: 978-1138670983 Item not available online.

Quinn, Malcolm (2018) The Tastemaker and the Algorithm. In: The Persistence of Taste: Art, Museums and Everyday Life After Bourdieu. CRESC . Routledge, London, pp. 345-350. ISBN ISBN-10: 9781138670983 ISBN-13: 978-1138670983 Item not available online.

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Quinn, Malcolm (2018) Taste and Democracy. In: UAL Professorial Platform Series 2018, Chelsea College of Arts.

Quinn, Malcolm (2017) 'Jeremy Bentham on Middle-Class Taste' Bentham Seminars Programme 2017 UCL. In: Bentham Seminars Programme 2017 UCL, 15 March 2017, 22 Gordon Square, University College London, WC1H 0AG. Item not available online.

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Quinn, Malcolm (2016) Jeremy Bentham on Liberty of Taste. History of European Ideas, 43 (6). pp. 614-627. ISSN 0191-6599

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Quinn, Malcolm (2015) Auditing Research in the Arts. In: Unconditional Love: the Society for Artistic Research Spring Event, April 30-May 1, 2015, Chelsea College of Art, London, U.K..

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Quinn, Malcolm (2013) The Pedagogy of Capital: Art History and Art School Knowledge. In: The Concept of the 'Master' in Art Education in Britain and Ireland, 1770 to the Present. Ashgate, London, UK, pp. 215-233.

Quinn, Malcolm (2013) Stupidity is anything at all. Parallax, 19 (3). pp. 70-82. ISSN 1353-4645 Item not available online.

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Quinn, Malcolm (2012) Utilitarianism and the Art School in Nineteenth-Century Britain. Pickering and Chatto, London, UK. ISBN 9781848932982

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Quinn, Malcolm and James, Elkins and Newman, Michael and Legge, Elizabeth and Tuer, Dot (2011) Chigurh’s haircut: three dialogues on provocation. In: Transmission Annual: Provocation. Transmission . Artwords Press, London.

Quinn, Malcolm (2011) Reading Reynolds with Bentham: the idea of the art school in early nineteenth-century. In: Bentham Seminars, 02-23 March 2011, London, UK. (Unpublished) Item not available online.

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Quinn, Malcolm (2011) The disambiguation of the royal academy of arts. History of European Ideas, 37 (1). pp. 53-62. ISSN 0191-6599

Quinn, Malcolm (2011) The political economy of the art school 1835-52. The International Journal of Art & Design Education, 30 (1). pp. 62-70. ISSN 1476-8062, 1476-8070 Item not available online.

Quinn, Malcolm (2011) Art and psychoanalysis: among other discourses. In: Vicissitudes: Histories and Destinies of Psychoanalysis. The Institute of Germanic & Romance Studies [IGRS], University of London, London, UK. Item not available online.

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Quinn, Malcolm (2011) The invention of facts: Bentham’s ethics and the education of public taste. Revue d’études benthamiennes: The Journal of Bentham Studies. ISSN 17607507

Quinn, Malcolm (2010) Art schools and the pedagogical impulse: an historical perspective. In: International Journal of Art and Design Education conference: ‘Art and Design Education and Contemporary Culture’, 8 October 2010, Liverpool, UK. (Unpublished) Item not available online.

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Quinn, Malcolm (2010) Insight and rigour: a Freudo-Lacanian approach. In: The Routledge Companion to Research in the Arts. Routledge, Abingdon, Oxon, pp. 240-258. ISBN 978-0-415-58169-1

Quinn, Malcolm (2010) The idea of the art school in early nineteenth-century Britain. In: The idea of the art school in early nineteenth-century Britain, 08 June 2010, London, UK. (Unpublished) Item not available online.

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Quinn, Malcolm (2009) Britishness and Visual Culture: Research in Process: Programme A: Education Practice at Tate 1970 – Present. Tate Online, Tate Encounters Series.

Quinn, Malcolm (2009) Lapdogs of the Bourgeoisie. In: Lapdogs of the Bourgeoisie: Class Hegemony in Contemporary Art. Sternberg Press, Berlin, Germany, pp. 125-127. ISBN 978-1933128887 Item not available online.

Quinn, Malcolm (2009) The education of the Eyes of the People by Our Own Government: Utilitarianism and Sublimation in Public Space 1832 -52. In: History of Education Society, UK Annual Conference, 6 December 2009. (Unpublished) Item not available online.

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Quinn, Malcolm (2008) Critique Conscious and Unconscious: Listening to the Barbarous Language of Art and Design. Journal of Visual Art Practice, 7 (3). pp. 225-240. ISSN 1470-2029

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Quinn, Malcolm (2006) On Liberty and Art. In: On Liberty and Art, 18/10/2006, Tate Britain.

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Quinn, Malcolm (2006) Practice-Led Research and the Engagement With Truth. In: Proceeds of Reflections on Creativity. Duncan of Jordanstone College, Dundee University. ISBN 1899837566

Quinn, Malcolm (2002) The Legions of the Blind. In: The Philistine Controversy. Verso, p. 255. ISBN 1859843743 Item not available online.

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Rae, Nicola (2020) Chlorophilia Frequencies. [Show/Exhibition]

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Rae, Nicola (2019) Remote Sensing Sonification: Jupiter Aurorae. [Show/Exhibition]

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